Screening the Novel: The Theory and Practice of Literary DramatizationMacmillan, 1990 - Всего страниц: 174 The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television. |
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Стр. 4
... reader to consume the product is also a significant element in any comparison . A novel will commonly be several hundred pages long , taking a reader several hours , whereas an average feature film may only last an hour or two . Also ...
... reader to consume the product is also a significant element in any comparison . A novel will commonly be several hundred pages long , taking a reader several hours , whereas an average feature film may only last an hour or two . Also ...
Стр. 14
... reader is not conscious of the narrator , since he does not comment but merely describes the scene ) ; and stream of consciousness , interior monologue . He adds that these methods are not all available to the camera ; for example ...
... reader is not conscious of the narrator , since he does not comment but merely describes the scene ) ; and stream of consciousness , interior monologue . He adds that these methods are not all available to the camera ; for example ...
Стр. 80
... reader . That is , humour arises ironically , and depends for its effect upon the reader interpreting the text , situation and character , and perceiving the various levels upon which the text operates . In the novel , the text is open ...
... reader . That is , humour arises ironically , and depends for its effect upon the reader interpreting the text , situation and character , and perceiving the various levels upon which the text operates . In the novel , the text is open ...
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ix | 26 |
The Classic Serial Tradition | 45 |
Great Expectations | 54 |
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Screening The Novel: The Theory And Practice Of Literary Dramatization Keith Selby,Robert Giddings,Chris Wensley Ограниченный просмотр - 2016 |
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