Romantic Aversions: Aftermaths of Classicism in Wordsworth and ColeridgeRomanticism is often regarded as a turning point in literary history, the time when writers such as Wordsworth and Coleridge renounced the common legacy of poets and sought to create a new literature. Yet despite their emphasis on originality, genius, and spontaneity, the first-generation Romantics manifest a highly intertextual style that, while repressing certain classical and neoclassical literary conventions, reveals a deep dependence on those same rhetorical practices. Repression results in the symptoms of originality but it inevitably leads to the return of tradition in a different form. |
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
Turns of Phrase Aversion Effusion | 3 |
Wordsworths There Was | 11 |
Coleridges Romantic | 28 |
Wordsworth and the Sympathies | 50 |
To the Autumnal | 71 |
Transport and Persuasion in Longinus | 94 |
Wordsworth in the Isle of Man | 104 |
Symptom and Scene in Freud and Wordsworth | 133 |
Другие издания - Просмотреть все
Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge Douglas Kneale Ограниченный просмотр - 1998 |
Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge J. Douglas Kneale Недоступно для просмотра - 1999 |
Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge Douglas Kneale Недоступно для просмотра - 1998 |
Часто встречающиеся слова и выражения
apostrophe appears aversion becomes begin calls changeful chapter claim classical Coleridge Coleridge's consider context convention critics dear definition describes discourse discussion earlier early echoes effect Effusions English essay example experience expression fact feelings figure Freud genre gentle give ground hand harp Hartman heart human imagination included interest interpretation Isle John language later letter lines literal literary lyric means Milton mind moon nature never Nutting object once original passage passion perhaps person phrase poem poet poetic poetry Prelude present Prose prosopopoeia question reader reading reference relation repeat rhetorical Romantic says scene sense similar sonnet speaking stand structure style sublime suggests symptom textual theory things thou thought tion topos tradition translation trees trope turn University voice Winander Wordsworth writes