Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Результаты 1 – 3 из 58
Стр. 81
... opening se- quence on the same frolicsome note with which it began , as Tchaikovsky and Chiluvsky dance drunkenly in the snow with torches before staggering into Chiluvsky's house and collapsing on the bed . If any part of The Music ...
... opening se- quence on the same frolicsome note with which it began , as Tchaikovsky and Chiluvsky dance drunkenly in the snow with torches before staggering into Chiluvsky's house and collapsing on the bed . If any part of The Music ...
Стр. 256
... opening image of Tommy is a rarity in its boldness and quickly establishes the style of the film as being concerned with dramatic validity over any sort of conventional realism . When the sun sets at the opening it is still daylight ...
... opening image of Tommy is a rarity in its boldness and quickly establishes the style of the film as being concerned with dramatic validity over any sort of conventional realism . When the sun sets at the opening it is still daylight ...
Стр. 384
... opening . Hearkening back to the imagery from William and Dorothy , Russell places Coleridge , William , and Dorothy ... opening , these separate parts become one . The departure from the original presenta- tion at the opening is simply ...
... opening . Hearkening back to the imagery from William and Dorothy , Russell places Coleridge , William , and Dorothy ... opening , these separate parts become one . The departure from the original presenta- tion at the opening is simply ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms