Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Стр. 134
... give us the first seven years of a man's life and you can have the rest , you'll never break him . " ' " I , too , have a maxim , Eminence , " counters Laubardemont . " Give me seven lines of a man's hand - writing and I will hang him ...
... give us the first seven years of a man's life and you can have the rest , you'll never break him . " ' " I , too , have a maxim , Eminence , " counters Laubardemont . " Give me seven lines of a man's hand - writing and I will hang him ...
Стр. 150
... give me a lot doing it , how the hell is it going to give anything to anybody else ? " * To overlook The Boy Friend as one of Ken Russell's major works is to ignore not only one of the pure delights of mod- ern filmmaking , but to miss ...
... give me a lot doing it , how the hell is it going to give anything to anybody else ? " * To overlook The Boy Friend as one of Ken Russell's major works is to ignore not only one of the pure delights of mod- ern filmmaking , but to miss ...
Стр. 284
... give an almost endless feeling of the freedom of movement . Except where the blind carry him and his final perching on the tower , Tommy is never seen not in flight and the effect is exhilarating . Symbolically , however , the fact that ...
... give an almost endless feeling of the freedom of movement . Except where the blind carry him and his final perching on the tower , Tommy is never seen not in flight and the effect is exhilarating . Symbolically , however , the fact that ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms