Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Стр. 114
... earlier scene . The sequence also carries overtones of the film's first fantasy where Tchaikovsky took the lemonade from Sasha in the wheat field and downed it with rather absurd overstatement . In this instance the overstatement is not ...
... earlier scene . The sequence also carries overtones of the film's first fantasy where Tchaikovsky took the lemonade from Sasha in the wheat field and downed it with rather absurd overstatement . In this instance the overstatement is not ...
Стр. 140
... earlier features and to a certain extent The Boy Friend and Savage Messiah -- there is still a great deal of formal development as concerns structure and approach . In pushing toward a fusion of a number of art forms at one time ...
... earlier features and to a certain extent The Boy Friend and Savage Messiah -- there is still a great deal of formal development as concerns structure and approach . In pushing toward a fusion of a number of art forms at one time ...
Стр. 149
... earlier films , there is the not inconsiderable bonus of the sparness of the cinema- tography , which is in the hands of David Watkin , who seems more in tune with Russell's sense of immediacy . In this film there are none of the artsy ...
... earlier films , there is the not inconsiderable bonus of the sparness of the cinema- tography , which is in the hands of David Watkin , who seems more in tune with Russell's sense of immediacy . In this film there are none of the artsy ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms