Ken Russell's FilmsScarecrow Press, 1984 - Всего страниц: 460 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
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Стр. 179
... dialogue - oriented screen- play and its comparative lack of music . Few Russell films are so heavily dependent on dialogue , but it is good , solid dialogue , and Russell's handling of it never once causes Savage Messiah to become a ...
... dialogue - oriented screen- play and its comparative lack of music . Few Russell films are so heavily dependent on dialogue , but it is good , solid dialogue , and Russell's handling of it never once causes Savage Messiah to become a ...
Стр. 234
... dialogue leads up to and away from it . 11 The dialogue exchange between Gustav and Max that follows the fantasy is one of the most completely successful dialogue scenes in any Russell film . Like the film itself , Russell's dialogue is ...
... dialogue leads up to and away from it . 11 The dialogue exchange between Gustav and Max that follows the fantasy is one of the most completely successful dialogue scenes in any Russell film . Like the film itself , Russell's dialogue is ...
Стр. 401
... dialogue into a kind of orchestrated sound . In Altered States Paddy Chayefsky has constructed dialogue that is fre- quently so abrasive as to make the most awkward dialogue scene Russell has ever written -- say , the bedroom conversa ...
... dialogue into a kind of orchestrated sound . In Altered States Paddy Chayefsky has constructed dialogue that is fre- quently so abrasive as to make the most awkward dialogue scene Russell has ever written -- say , the bedroom conversa ...
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Часто встречающиеся слова и выражения
Alma Alma's Altered approach artist attempt attitude audience become Billion Dollar Brain Boy Friend camera character Chiluvsky Citizen Kane climax close-shot Coleridge Coleridge's Corky Courtesy of Ken Crich dance death Delius DeThrill Devils dialogue dream earlier effect fact fantasy feeling filmmaker final finds flashback framing story Gerald Glory films Gomez Grandier Gudrun Gustav Henri idea Isadora Jeanne's Ken Russell Liszt Lisztomania look Loudun Madama Butterfly Madame von Meck Mahler manner move Music Lovers narrative nature Nina Nina's Nora Nora's Oliver Reed opera overall play poem Polly presentation reality Rupert Russell film Russell's Sara Savage Messiah scene screenplay sell's sense sequence Shirley Russell shot Sister Jeanne situation Sophie sound soundtrack stage structure symbolic Symphony Tchaikovsky tells theatrical thematic theme things tion Tommy Tommy's Ursula Valentino viewer visual Wagner William and Dorothy Women in Love Wordsworth zooms