Ken Russell's Films

action actual Altered appears approach artist attempt attitude audience become begins better calls camera character Coleridge comes completely concerns critical cuts dance death designed Devils dialogue direct Dorothy dream earlier effect entire fact fantasy feeling film film's filmmaker final finds follows frame Friend further give Grandier hand Henri idea immediately indication Isadora Ken Russell later least less Liszt Lisztomania look Love Madame Mahler major manner Messiah mind move movement Music Lovers nature never Nina noted once opening original piece play poem position presentation production reality reason relationship runs Russell's Savage scene seems sense sequence shot side similar simply situation song Sophie sound stage story structure symbolic Symphony Tchaikovsky tells things tion Tommy train turns Valentino viewer visual Wagner Warner Bros Women