Philosophical Conceptualization and Literary Art: Inference, Ereignis, and Conceptual Attunement to the Work of Poetic GeniusFairleigh Dickinson Univ Press, 2004 - Всего страниц: 231 This book offers an original orientation to how speculative thinking may be profoundly stimulated - the philosophical imagination transformatively enlarged - through intermediating engagements with the work of art. The author illustrates the practical implications of this orientation by selecting an inferential model of concept formation to highlight the philosophically pregnant routes of inference that such engagements can sponsor.Separate chapters show how a variety of independently interesting metaphysical, phenomenological, and onto-aesthetic concepts of Desmond, Otto, and Heidegger get amplified and deepened when entertained as conceptual attunements rather than as fixed, mediating terms. The study culminates by focusing on how an intermediating engagement with artwork can inferentially enlarge the very concept of the work of art. |
Содержание
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27 | |
Ontological Reflection Ode on a Grecian Urn and the Senses of Being | 81 |
The Phenomenological Key The Sensus Numinis in Emily Dickinsons Verse | 134 |
Aesthetic Inference and Insight Artworks Work Werksein and Wallace Stevenss Idea of Order at Key West | 173 |
Conclusion | 201 |
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Philosophical Conceptualization and Literary Art: Inference, Ereignis, and ... Phillip Stambovsky Просмотр фрагмента - 2004 |
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aesthetic amplify art-work articulated artistic Cassirer chap chapter cognitional conceptual attunements conceptual mood context critical cultural darkness defining demonstrate depictive Desmond Desmond's dialectical Dickinson disclosive discursive element Emily Dickinson engagement equivocal Ereignis erotic explication formally indicates Grecian Urn Harold Bloom Hegel Heidegger Heidegger's Heideggerian hermeneutic Holy Ibid Idea of Order ideal idiom inferential form intelligence intermediating intermediatingly interpretive concepts Iser John Keats Keatsian Key West lines literary art literature lyric M. H. Abrams Makkreel meditative Metaphysics metaxological mind notion numinous ode's one's onto-aesthetic ontological Order at Key orientation originary ostensive Otto Otto's participatively appropriates phenomenological philosophical philosophical imagination poem poem's poet poetic poetry positivistically primordial reader reflective routes of inference Rudolf Otto self-mediation sense sensus numinis silence singing singing's speaker speculative inference spirit Stambovsky stanza Stevens sublated theory thinking thought tion transcendent truth univocal urn's verse viewer visionary voice Wallace Stevens Werksein workly world-making