Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 4
... they'd gotten to be good friends. De produced a concert of John's there, and that's how he first met Jasper Johns and Bob Rauschenberg. “They were both of them on their hands and knees driving nails, building the set,” De told me once ...
... they'd gotten to be good friends. De produced a concert of John's there, and that's how he first met Jasper Johns and Bob Rauschenberg. “They were both of them on their hands and knees driving nails, building the set,” De told me once ...
Стр. 10
... they'd rather be doing gives them a certain freedom. Anyway, that's my theory about Ivan's success. In the late post–Abstract Expressionist days, the days right before Pop, there were only a few people in the art world who knew who was ...
... they'd rather be doing gives them a certain freedom. Anyway, that's my theory about Ivan's success. In the late post–Abstract Expressionist days, the days right before Pop, there were only a few people in the art world who knew who was ...
Стр. 12
... they'd call each other up and say what're you doing tonight? so this “week from Wednesday” business was unusual, the kind of formal thing they never did. (“Jasper was reserved,” De said, “but he wasn't that reserved!”) When the day came ...
... they'd call each other up and say what're you doing tonight? so this “week from Wednesday” business was unusual, the kind of formal thing they never did. (“Jasper was reserved,” De said, “but he wasn't that reserved!”) When the day came ...
Стр. 13
... they'd laughed at Rauschenberg!” I've often wondered why people who could look at incredible new art and laugh at it bothered to involve themselves with art at all. And yet you'd run into so many of these types around the art scene. De ...
... they'd laughed at Rauschenberg!” I've often wondered why people who could look at incredible new art and laugh at it bothered to involve themselves with art at all. And yet you'd run into so many of these types around the art scene. De ...
Стр. 17
... they'd fight over.” I could tell from Larry's smile that he still had a lot of affection for that whole scene. “What about the other painters?” I asked him. “Well,” he said, “Franz Kline would certainly be at the Cedar every night. He ...
... they'd fight over.” I could tell from Larry's smile that he still had a lot of affection for that whole scene. “What about the other painters?” I asked him. “Well,” he said, “Franz Kline would certainly be at the Cedar every night. He ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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