Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 7
... there I saw what Ted had been telling me about—a painting of a man in a rocket ship with a girl in the background. I asked the guy who was showing us the stuff, “What's that over there?” He said it was a painting by a young artist named ...
... there I saw what Ted had been telling me about—a painting of a man in a rocket ship with a girl in the background. I asked the guy who was showing us the stuff, “What's that over there?” He said it was a painting by a young artist named ...
Стр. 10
... there's something they'd rather be doing gives them a certain freedom. Anyway, that's my theory about Ivan's success. In the late post–Abstract Expressionist days, the days right before Pop, there were only a few people in the art world ...
... there's something they'd rather be doing gives them a certain freedom. Anyway, that's my theory about Ivan's success. In the late post–Abstract Expressionist days, the days right before Pop, there were only a few people in the art world ...
Стр. 13
... there, too, but this particular Wednesday it was immaculate, there wasn't a sign of his everyday life visible, except that on the walls were all his early paintings—the big American Flag, the first Targets, the first Numbers. (For me ...
... there, too, but this particular Wednesday it was immaculate, there wasn't a sign of his everyday life visible, except that on the walls were all his early paintings—the big American Flag, the first Targets, the first Numbers. (For me ...
Стр. 15
... there are others who are more swish—and less talented— and still others who are less swish and just as talented, but the major painters try to look straight; you play up the swish—it's like an armor with you.” There was nothing I could ...
... there are others who are more swish—and less talented— and still others who are less swish and just as talented, but the major painters try to look straight; you play up the swish—it's like an armor with you.” There was nothing I could ...
Стр. 17
... there and he'd drop in occasionally. He was the kind of drunk who'd insist you play 'I Can't Give You Anything but ... There's Jackson!' or 'Jackson just went to the john!' “I'll tell you what kind of guy he was. He would go over to a ...
... there and he'd drop in occasionally. He was the kind of drunk who'd insist you play 'I Can't Give You Anything but ... There's Jackson!' or 'Jackson just went to the john!' “I'll tell you what kind of guy he was. He would go over to a ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York