Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 5
... talk. He spoke beautifully, in a deep, easy voice with every comma and period falling into place. (He'd once taught philosophy at the College of William and Mary in Virginia, and literature at the City College of New York.) He made you ...
... talk. He spoke beautifully, in a deep, easy voice with every comma and period falling into place. (He'd once taught philosophy at the College of William and Mary in Virginia, and literature at the City College of New York.) He made you ...
Стр. 16
... talking about the Cedar. I'd heard that when he was about to go on “The $64,000 Question” on TV, he passed the word around that if he won, you could find him at the Cedar bar, and if he lost, he'd head straight for the Five-Spot, where ...
... talking about the Cedar. I'd heard that when he was about to go on “The $64,000 Question” on TV, he passed the word around that if he won, you could find him at the Cedar bar, and if he lost, he'd head straight for the Five-Spot, where ...
Стр. 17
... talking to you, he had this way of turning to someone else as you were leaving, and you got the feeling of automatic continuity ... talk all the time. There were always great discussions going on, and there was always some guy 17 1960–1963.
... talking to you, he had this way of turning to someone else as you were leaving, and you got the feeling of automatic continuity ... talk all the time. There were always great discussions going on, and there was always some guy 17 1960–1963.
Стр. 21
... talking, because sooner or later a word gets dropped that throws me on a different train of thought.) It was Henry who gave me the idea to start the Death and Disaster series. We were having lunch one day in the summer at Serendipity on ...
... talking, because sooner or later a word gets dropped that throws me on a different train of thought.) It was Henry who gave me the idea to start the Death and Disaster series. We were having lunch one day in the summer at Serendipity on ...
Стр. 23
... talking about the “submarine races” and doing all his radio routines with the “Dancing Girls” and the Murray the K dancers. The kids would be going crazy all around us and Ivan would be screaming along with them one minute and the next ...
... talking about the “submarine races” and doing all his radio routines with the “Dancing Girls” and the Murray the K dancers. The kids would be going crazy all around us and Ivan would be screaming along with them one minute and the next ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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