Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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... painting alike when they met. My friend Henry Geldzahler, curator of twentieth-century art at the Metropolitan ... paintings in front of you.” The person I got my art training from was Emile de Antonio— when I first met De, I was a ...
... painting alike when they met. My friend Henry Geldzahler, curator of twentieth-century art at the Metropolitan ... paintings in front of you.” The person I got my art training from was Emile de Antonio— when I first met De, I was a ...
Стр. 4
... paintings.” De laughed his hefty laugh, evidently recalling the wide range of Bob's ideas. “His displays that were ... painter, Andy—you've got more ideas than anybody around.” Even a few other people had told me that. I POPism: The ...
... paintings.” De laughed his hefty laugh, evidently recalling the wide range of Bob's ideas. “His displays that were ... painter, Andy—you've got more ideas than anybody around.” Even a few other people had told me that. I POPism: The ...
Стр. 5
... painting scene. De's support and his open attitude gave me confidence. After I'd done my first canvases, De was the person I wanted to show them to. He could always see the value of something right off. He wouldn't hedge with “Where ...
... painting scene. De's support and his open attitude gave me confidence. After I'd done my first canvases, De was the person I wanted to show them to. He could always see the value of something right off. He wouldn't hedge with “Where ...
Стр. 6
... paintings I'd done, each about six feet high and three feet wide, were propped, facing the wall. I turned them around and placed them side by side against the wall and then I backed away to take a look at them myself. One of them was a ...
... paintings I'd done, each about six feet high and three feet wide, were propped, facing the wall. I turned them around and placed them side by side against the wall and then I backed away to take a look at them myself. One of them was a ...
Стр. 7
... painting at the Leo Castelli Gallery that looked like a comic book and that I should go right over there and have a ... painting of a man in a rocket ship with a girl in the background. I asked the guy who was showing us the stuff ...
... painting at the Leo Castelli Gallery that looked like a comic book and that I should go right over there and have a ... painting of a man in a rocket ship with a girl in the background. I asked the guy who was showing us the stuff ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York