POPism: The Warhol Sixties
Anecdotal, funny, frank, POPism is Warhol’s personal view of the Pop phenomenon in New York in the 1960s and a look back at the relationships that made up the scene at the Factory, including his relationship with Edie Sedgewick, focus of the film Factory Girl. In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.
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I can't even count the number of people after that day who when they saw my
paintings burst out laughing. But De never thought Pop was a joke. As he was
leaving he looked down at my feet and said, “When the hell are you going to get ...
So I told him I did paintings that were similar and asked if he'd like to come up to
my studio and look at them. We made an appointment for later that afternoon. His
name was Ivan Karp. When Ivan came by, I had all my commercial art drawings ...
(De reminded me that he'd once brought Frank to my house and I'd pointed at a
small painting of his that he had with him and said, “I'll take six of those.” I don't
remember that, but it must have happened, because I do have six of that painting.
you've become a painter, and yet you're still painting commercial art subjects.
Frankly, I don't know what to think.” At least he hadn't laughed. I realized that I
could always learn from David's reactions how people in the art world who were ...
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POPism: The Warhol SixtiesПользовательский отзыв - Not Available - Book Verdict
The darling of pop art released these autobiographical portraits in 1975 and 1980, respectively. With his shock of blonde-white hair and unusual art style, you might think these remembrances would be ... Читать весь отзыв
Review: POPism: The Warhol SixtiesПользовательский отзыв - Caroline Fontenot - Goodreads
Wasn't as good as I thought it would be. It was super entertaining the first few chapters, and then it was incredibly repetitive. Still love Andy, though. This book isn't as much about art as I'd hoped. Читать весь отзыв