Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 5
... loved to listen to De talk. He spoke beautifully, in a deep, easy voice with every comma and period falling into place. (He'd once taught philosophy at the College of William and Mary in Virginia, and literature at the City College of ...
... loved to listen to De talk. He spoke beautifully, in a deep, easy voice with every comma and period falling into place. (He'd once taught philosophy at the College of William and Mary in Virginia, and literature at the City College of ...
Стр. 10
... loved it. His loose, personal style of art dealing went perfectly with the Pop Art style. Years later I figured out why he was such a successful art dealer—this may sound strange, but I believe it was because art was his second love. He ...
... loved it. His loose, personal style of art dealing went perfectly with the Pop Art style. Years later I figured out why he was such a successful art dealer—this may sound strange, but I believe it was because art was his second love. He ...
Стр. 19
... loved Florine Stettheimer had to be brilliant. I could see that Henry was going to be a lot of fun. (Florine Stettheimer was a wealthy primitive painter, a friend of Marcel Duchamp's, who'd had a one-woman show at the Museum of Modern ...
... loved Florine Stettheimer had to be brilliant. I could see that Henry was going to be a lot of fun. (Florine Stettheimer was a wealthy primitive painter, a friend of Marcel Duchamp's, who'd had a one-woman show at the Museum of Modern ...
Стр. 22
... loved those cows, and for my next show we papered all the walls in the gallery with them. It was on one of those evenings when I'd asked around ten or fifteen people for suggestions that finally one lady friend of mine asked me the ...
... loved those cows, and for my next show we papered all the walls in the gallery with them. It was on one of those evenings when I'd asked around ten or fifteen people for suggestions that finally one lady friend of mine asked me the ...
Стр. 24
... loved the music so much.” (Of course, like everybody else in the fall of '61, we were also running down to the Peppermint Lounge on 45th Street. As Variety headlined, “new 'twist' in cafe society—adults now dig juves' new beat.”) “I've ...
... loved the music so much.” (Of course, like everybody else in the fall of '61, we were also running down to the Peppermint Lounge on 45th Street. As Variety headlined, “new 'twist' in cafe society—adults now dig juves' new beat.”) “I've ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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