Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 4
... living down on Pearl Street, and they'd take baths when they came out to the country because they had no shower at their place—just a little sink to take a whore's bath in.” De got Jasper and Bob work doing windows at Tiffany's for Gene ...
... living down on Pearl Street, and they'd take baths when they came out to the country because they had no shower at their place—just a little sink to take a whore's bath in.” De got Jasper and Bob work doing windows at Tiffany's for Gene ...
Стр. 5
... living area in the basement where the kitchen was and where my mother lived with a lot of cats, all named Sam. (My mother had shown up one night at the apartment where I was living with a few suitcases and shopping bags, and she ...
... living area in the basement where the kitchen was and where my mother lived with a lot of cats, all named Sam. (My mother had shown up one night at the apartment where I was living with a few suitcases and shopping bags, and she ...
Стр. 6
... living room. I always kept the blinds drawn—the windows faced west and not much light came in anyway—and the walls were woodpaneled. There was a somber feeling about that room. I had some Victorian furniture mixed in with an old wooden ...
... living room. I always kept the blinds drawn—the windows faced west and not much light came in anyway—and the walls were woodpaneled. There was a somber feeling about that room. I had some Victorian furniture mixed in with an old wooden ...
Стр. 25
... living room— painting was a lot messier than drawing. Leo looked my stuff over, the Dick Tracys and the Nose Jobs in particular, and then said, “Well, it's unfortunate, the timing, because I just took on Roy Lichtenstein, and the two of ...
... living room— painting was a lot messier than drawing. Leo looked my stuff over, the Dick Tracys and the Nose Jobs in particular, and then said, “Well, it's unfortunate, the timing, because I just took on Roy Lichtenstein, and the two of ...
Стр. 31
... and the large gold Marilyn. By the beginning of '63 my work area at home was a total mess. The canvases were spread out all over the living room and the ink from the silkscreens was getting on everything. I knew 31 1960–1963.
... and the large gold Marilyn. By the beginning of '63 my work area at home was a total mess. The canvases were spread out all over the living room and the ink from the silkscreens was getting on everything. I knew 31 1960–1963.
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York