Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 8
... knew that I definitely wanted to take away the commentary of the gestures—that's why I had this routine of painting with rock and roll blasting the same song, a 45 rpm, over and over all day long—songs like the one that was playing the ...
... knew that I definitely wanted to take away the commentary of the gestures—that's why I had this routine of painting with rock and roll blasting the same song, a 45 rpm, over and over all day long—songs like the one that was playing the ...
Стр. 10
... knew who was good, and the people who were good knew who else was good. It was all like private information; the art public hadn't picked up on it yet. One incident especially brought home to me how low the general art world awareness ...
... knew who was good, and the people who were good knew who else was good. It was all like private information; the art public hadn't picked up on it yet. One incident especially brought home to me how low the general art world awareness ...
Стр. 12
... knew that it's not possible to make two paintings exactly alike. Then the doorbell rang and it was Irwin, sheepishly holding a Motherwell. He said, “Can we give you this, and some money?” De told him to get the fuck out. One evening De ...
... knew that it's not possible to make two paintings exactly alike. Then the doorbell rang and it was Irwin, sheepishly holding a Motherwell. He said, “Can we give you this, and some money?” De told him to get the fuck out. One evening De ...
Стр. 14
... to have anything to do with commercial art. De was the only person I knew then who could see past those old social distinctions to the art itself. ••• What De had just told me hurt a lot. When POPism: The Warhol Sixties 14.
... to have anything to do with commercial art. De was the only person I knew then who could see past those old social distinctions to the art itself. ••• What De had just told me hurt a lot. When POPism: The Warhol Sixties 14.
Стр. 15
... knew I was right. And as for the “swish” thing, I'd always had a lot of fun with that—just watching the expressions on people's faces. You'd have to have seen the way all the Abstract Expressionist painters carried themselves and the ...
... knew I was right. And as for the “swish” thing, I'd always had a lot of fun with that—just watching the expressions on people's faces. You'd have to have seen the way all the Abstract Expressionist painters carried themselves and the ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York