Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 23
... kids liked it best, with every sound exactly the way it was on the records—like if they were seeing, say, the Crystals, they'd expect to hear every little rattle in the Phil Spector production. The audience was mixed, black and white ...
... kids liked it best, with every sound exactly the way it was on the records—like if they were seeing, say, the Crystals, they'd expect to hear every little rattle in the Phil Spector production. The audience was mixed, black and white ...
Стр. 27
... kid wanting to get into a certain fraternity or a musician wanting to get on the same record label as his idol. Being part of Castelli's stable was just something that I knew would make me happy, and even though he'd turned me down, I ...
... kid wanting to get into a certain fraternity or a musician wanting to get on the same record label as his idol. Being part of Castelli's stable was just something that I knew would make me happy, and even though he'd turned me down, I ...
Стр. 32
... kids who needed work. I'd met the surrealist poet Charles Henri Ford at a party that his sister Ruth Ford, the actress, who was married to Zachary Scott, gave at her apartment in the Dakota on Central Park West and 72nd Street, and ...
... kids who needed work. I'd met the surrealist poet Charles Henri Ford at a party that his sister Ruth Ford, the actress, who was married to Zachary Scott, gave at her apartment in the Dakota on Central Park West and 72nd Street, and ...
Стр. 33
... kid from Brooklyn, came to play a big role in our life at the Factory. Marie and Willard were sort of godparents to him. I liked Gerard; he looked like a sweet kid, in sort of a permanent reverie, it seemed—he made you want to snap your ...
... kid from Brooklyn, came to play a big role in our life at the Factory. Marie and Willard were sort of godparents to him. I liked Gerard; he looked like a sweet kid, in sort of a permanent reverie, it seemed—he made you want to snap your ...
Стр. 35
... kids here went from being juveniles straight into “young adults,” whereas in England the kids eighteen and nineteen were having a ball. Or starting to, anyway—it was a new age classification. We all went to the Brooklyn Fox together ...
... kids here went from being juveniles straight into “young adults,” whereas in England the kids eighteen and nineteen were having a ball. Or starting to, anyway—it was a new age classification. We all went to the Brooklyn Fox together ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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