Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 5
... He'd often stop by my place for drinks late in the afternoon—he lived right in the neighborhood—and we'd usually just gab while I showed him whatever commercial drawings or illustrations I was working on. I loved to listen to De talk ...
... He'd often stop by my place for drinks late in the afternoon—he lived right in the neighborhood—and we'd usually just gab while I showed him whatever commercial drawings or illustrations I was working on. I loved to listen to De talk ...
Стр. 7
... he'd posed us, he sat us so close together on the couch that we couldn't slice a straight line between us and I'd had to buy Ted out. Anyway, Ted and I followed the art scene together, keeping up with what was going on. One afternoon ...
... he'd posed us, he sat us so close together on the couch that we couldn't slice a straight line between us and I'd had to buy Ted out. Anyway, Ted and I followed the art scene together, keeping up with what was going on. One afternoon ...
Стр. 8
... he'd like to come up to my studio and look at them. We made an appointment for later that afternoon. His name was Ivan Karp. When Ivan came by, I had all my commercial art drawings stashed away out of sight. As long as he didn't know ...
... he'd like to come up to my studio and look at them. We made an appointment for later that afternoon. His name was Ivan Karp. When Ivan came by, I had all my commercial art drawings stashed away out of sight. As long as he didn't know ...
Стр. 9
... he'd come to have those first paintings of Roy's in the gallery. He said that one day he was in the gallery ... he'd seen before, and he told Roy that he'd like to keep two paintings in back room racks to show to Leo Castelli. Ivan, I ...
... he'd come to have those first paintings of Roy's in the gallery. He said that one day he was in the gallery ... he'd seen before, and he told Roy that he'd like to keep two paintings in back room racks to show to Leo Castelli. Ivan, I ...
Стр. 11
... he'd once brought Frank to my house and I'd pointed at a small painting of his that he had with him and said, “I'll take six of those.” I don't remember that, but it must have happened, because I do have six of that painting.) One of ...
... he'd once brought Frank to my house and I'd pointed at a small painting of his that he had with him and said, “I'll take six of those.” I don't remember that, but it must have happened, because I do have six of that painting.) One of ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York