Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 4
... everything from neighborhood movie houses to department stores and huge corporations. But he only worked with friends; if De didn't like you, he couldn't be bothered. De was the first person I know of to see commercial art as real art ...
... everything from neighborhood movie houses to department stores and huge corporations. But he only worked with friends; if De didn't like you, he couldn't be bothered. De was the first person I know of to see commercial art as real art ...
Стр. 5
... everything you'd ever need to know in life. We'd both have a lot of whiskey out of some Limoges cups I had, my serving system at the time. De was a heavy drinker, but I had my fair share, too. I worked at home in those days. My house ...
... everything you'd ever need to know in life. We'd both have a lot of whiskey out of some Limoges cups I had, my serving system at the time. De was a heavy drinker, but I had my fair share, too. I worked at home in those days. My house ...
Стр. 6
... everything. The other is remarkable—it's our society, it's who we are, it's absolutely beautiful and naked, and you ought to destroy the first one and show the other.” That afternoon was an important one for me. I can't even count the ...
... everything. The other is remarkable—it's our society, it's who we are, it's absolutely beautiful and naked, and you ought to destroy the first one and show the other.” That afternoon was an important one for me. I can't even count the ...
Стр. 8
... very good rapport with Ivan right away. He was young, he had an “up” attitude to everything. He was sort of dancing around to the music. For the first fifteen minutes or so, he looked through POPism: The Warhol Sixties 8.
... very good rapport with Ivan right away. He was young, he had an “up” attitude to everything. He was sort of dancing around to the music. For the first fifteen minutes or so, he looked through POPism: The Warhol Sixties 8.
Стр. 20
... everything in at once.” And over the years I picked up a lot from Henry; I often asked him for advice. He liked to compare our relationship to ones between the Renaissance painters and the scholars of mythology or antiquity or Christian ...
... everything in at once.” And over the years I picked up a lot from Henry; I often asked him for advice. He liked to compare our relationship to ones between the Renaissance painters and the scholars of mythology or antiquity or Christian ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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