Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 33
... Gerard Malanga, a student at Wagner College on Staten Island, and he brought us together at a poetry reading at the New School. Gerard, a young kid from Brooklyn, came to play a big role in our life at the Factory. Marie and Willard ...
... Gerard Malanga, a student at Wagner College on Staten Island, and he brought us together at a poetry reading at the New School. Gerard, a young kid from Brooklyn, came to play a big role in our life at the Factory. Marie and Willard ...
Стр. 34
... Gerard. He'd take poetry breaks where he'd go off and write in a corner, and sometimes when people came by to see my work, he'd give a reading to them. I'd hear him intoning lines like “The whole situation here seems precarious/...” Gerard ...
... Gerard. He'd take poetry breaks where he'd go off and write in a corner, and sometimes when people came by to see my work, he'd give a reading to them. I'd hear him intoning lines like “The whole situation here seems precarious/...” Gerard ...
Стр. 35
... filmmaking and literary circuit, going to all those holes-in-the-walls with Gerard. But I was still visiting all the galleries and keeping up with the art scene too. ••• In those days I didn't have a real fashion look 35 1960–1963.
... filmmaking and literary circuit, going to all those holes-in-the-walls with Gerard. But I was still visiting all the galleries and keeping up with the art scene too. ••• In those days I didn't have a real fashion look 35 1960–1963.
Стр. 36
... Gerard had given me. Eventually I picked up some style from Wynn, who was one of the first to go in for the S & M leather look. The girls that summer in Brooklyn looked really great. It was the summer of the Liz-Taylor-in-Cleopatra look ...
... Gerard had given me. Eventually I picked up some style from Wynn, who was one of the first to go in for the S & M leather look. The girls that summer in Brooklyn looked really great. It was the summer of the Liz-Taylor-in-Cleopatra look ...
Стр. 44
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Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York