POPism: The Warhol Sixties

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Houghton Mifflin Harcourt, 3 февр. 2015 г. - Всего страниц: 336
Anecdotal, funny, frank, POPism is Warhol’s personal view of the Pop phenomenon in New York in the 1960s and a look back at the relationships that made up the scene at the Factory, including his rela­tionship with Edie Sedgewick, focus of the film Factory Girl. In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.
 

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POPism: The Warhol Sixties

Пользовательский отзыв  - Not Available - Book Verdict

The darling of pop art released these autobiographical portraits in 1975 and 1980, respectively. With his shock of blonde-white hair and unusual art style, you might think these remembrances would be ... Читать весь отзыв

Review: POPism: The Warhol Sixties

Пользовательский отзыв  - Caroline Fontenot - Goodreads

Wasn't as good as I thought it would be. It was super entertaining the first few chapters, and then it was incredibly repetitive. Still love Andy, though. This book isn't as much about art as I'd hoped. Читать весь отзыв

Избранные страницы

Содержание

1964
85
Photo Insert
117
1965
119
1966
177
1967
253
19681969
319
Postscript
377
Index
379
Back Cover
393
Spine
394
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Об авторе (2015)

Andy Warhol, a painter and graphic artist, also produced a significant body of film work, including his famous Chelsea Girls. He was equally well known in the late sixties and early seventies as resident host at his studio, The Factory, where one could listen to Lou Reed and the Velvet Underground and rub elbows with Edie Sedgwick. Warhold died in New York in 1987.

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