Shakespeare on Screen: The Tempest and Late RomancesSarah Hatchuel, Nathalie Vienne-Guerrin Cambridge University Press, 27 апр. 2017 г. The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies. |
Содержание
Thanhousers Fierce Abridgement of Cymbeline | 24 |
Looking at Women in the BBC Pericles | 40 |
Scenes from Cymbeline and Early Television Studio Drama | 56 |
The BBC Cymbeline | 71 |
Comparing the Polish Television Theatre | 91 |
Death Dance | 110 |
The Tempest and The Winters Tale | 133 |
Jarmans Defamiliarisation | 147 |
Hyperreality and the Western Imagination | 185 |
The Alternating Utopic Revisions of The Tempest on Film | 199 |
Screen Magic in Greenaways Prosperos Books and Taymors | 215 |
The End of Teen Shakespeare | 232 |
Variations on Prosperos | 251 |
Grafting The Tempest onto Allégrets Le Bal du Comte dOrgel | 269 |
283 | |
304 | |
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