A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 162
... interpreter is attempting to impersonate a firm but kindly father who is speaking to his son , that interpreter obviously must compose an intonation pattern that is expressive of experience and background that he does not possess . He ...
... interpreter is attempting to impersonate a firm but kindly father who is speaking to his son , that interpreter obviously must compose an intonation pattern that is expressive of experience and background that he does not possess . He ...
Стр. 253
... interpreter in the process of reading through that material only once or even a half - dozen times . Assuming that the interpreter has sufficient background and imagination to understand and appreciate the material fully , he must study ...
... interpreter in the process of reading through that material only once or even a half - dozen times . Assuming that the interpreter has sufficient background and imagination to understand and appreciate the material fully , he must study ...
Стр. 291
... interpreter might need a somewhat wider vocal pitch range than that which might seem adequate to a speaker who must express only his own thoughts and feelings in a manner governed by his own speech personality . An actor or interpreter ...
... interpreter might need a somewhat wider vocal pitch range than that which might seem adequate to a speaker who must express only his own thoughts and feelings in a manner governed by his own speech personality . An actor or interpreter ...
Содержание
The Eating and Drinking Mechanism | 73 |
Vocal Variations While Speaking | 81 |
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
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Часто встречающиеся слова и выражения
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections kind larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words