A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 106
... Method 1 : Laugh heartily . An individual in a private place should have no difficulty in laughing heartily at will . At first , one should probably not try to laugh steadily for more than the length of time that he can laugh on one ...
... Method 1 : Laugh heartily . An individual in a private place should have no difficulty in laughing heartily at will . At first , one should probably not try to laugh steadily for more than the length of time that he can laugh on one ...
Стр. 199
... method of eliminating such faults has three steps : 1. To develop an auditory consciousness of the fault , 2. To discover a means of avoiding or correcting the fault , 3. To practice such avoidance or correction until a new habit is ...
... method of eliminating such faults has three steps : 1. To develop an auditory consciousness of the fault , 2. To discover a means of avoiding or correcting the fault , 3. To practice such avoidance or correction until a new habit is ...
Стр. 212
... Method 1 : Practice enunciating the " n " sound and each of the vowel sounds , alternating in repeated - and - rapid sequence and with- out uttering a “ g ” or “ k ” sound between . For example , when alternat- ing " n " and " i " be ...
... Method 1 : Practice enunciating the " n " sound and each of the vowel sounds , alternating in repeated - and - rapid sequence and with- out uttering a “ g ” or “ k ” sound between . For example , when alternat- ing " n " and " i " be ...
Содержание
The Eating and Drinking Mechanism | 73 |
Vocal Variations While Speaking | 81 |
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
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accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections kind larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words