The OptimistG.P. Putnam, 1850 - Всего страниц: 273 |
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Стр. 9
... early and too deeply impressed with the importance of display . How often is the sensitive New England youth forced to sym- pathize in Tony Lumpkin's undutiful remonstrance to his mother's officious and mistaken kindness , which she ...
... early and too deeply impressed with the importance of display . How often is the sensitive New England youth forced to sym- pathize in Tony Lumpkin's undutiful remonstrance to his mother's officious and mistaken kindness , which she ...
Стр. 15
... early acquire a false shame at the expression of feeling , and come to regard the least mani- festation of natural ardor as undignified and weak . And thus the saying of one of the commentators on our country is veri- fied our climate ...
... early acquire a false shame at the expression of feeling , and come to regard the least mani- festation of natural ardor as undignified and weak . And thus the saying of one of the commentators on our country is veri- fied our climate ...
Стр. 16
... early life , however kindly intended , too often weaves shadows for our future lot , and sadly mars our spiritual destiny . Byron breaks off in the midst of his glorious lay inspired by classic scenes , to lament the forced teaching of ...
... early life , however kindly intended , too often weaves shadows for our future lot , and sadly mars our spiritual destiny . Byron breaks off in the midst of his glorious lay inspired by classic scenes , to lament the forced teaching of ...
Стр. 18
... sweetest angel of his paradise is the object of his early love . The best countenances the old painters have bequeathed to us are those of cherished . objects intimately associated with their fame . The face of 18 THE OPTIMIST .
... sweetest angel of his paradise is the object of his early love . The best countenances the old painters have bequeathed to us are those of cherished . objects intimately associated with their fame . The face of 18 THE OPTIMIST .
Стр. 34
... early life , visited the same classic scenes . He betrays a familiarity with the characteristics of cities , the furniture of palaces , local manners , and especially with the old law of betrothment in Katherine and Petrucio , rather ...
... early life , visited the same classic scenes . He betrays a familiarity with the characteristics of cities , the furniture of palaces , local manners , and especially with the old law of betrothment in Katherine and Petrucio , rather ...
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affection amid artist associations awaken beauty breathe breeze character Charles Lamb charm cheerful cherished consciousness conversation Correggio delight Desdemona destiny earnest elements eloquence England enjoyment epic poetry escutcheon excitement experience expression exquisite eye-language familiar fancy feeling flowers gaze genial genius genuine gifted give glow grace habit hair hand heart honor hues human humor idea imagination impression individual influence inspiration instinct intellectual intercourse interest Italian Italy lady literary literature little romance living luxury Lyric poetry manner mannerist memory mental mind moral Naples native nature Niobe noble objects observation Othello peculiar Petrarch philosophy phrenologists pleasure poet poetical poetry principle racter realize recognise regard rience says scene seems sense sentiment Sicily smile social society solemn soul spirit spontaneous star-spangled banner sublime sweet sympathies taste things thought tion tone touch true truth utterance Vaucluse Venice vidual walk wander
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Стр. 143 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Стр. 70 - Her voice was ever soft, Gentle, and low, — an excellent thing in woman.
Стр. 67 - ... ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say, Lord, what music hast thou provided for the Saints in Heaven, when thou affordest bad men such music on Earth...
Стр. 178 - ... and shop-lifting in seven. In the naked temper which a merry heart discovered, he would say. There was no danger, - but to itself: - whereas the very essence of gravity was design, and consequently deceit; - 'twas a taught trick to gain credit of the world for more sense and knowledge than a man was worth...
Стр. 205 - She, as a veil down to the slender waist, Her unadorned golden tresses wore Dishevelled, but in wanton ringlets waved As the vine curls her tendrils, which implied Subjection, but required with gentle sway, And by her yielded, by him best received Yielded, with coy submission, modest pride, And sweet, reluctant, amorous delay.
Стр. 69 - The silver key of the fountain of tears, Where the spirit drinks till the brain is wild ; Softest grave of a thousand fears, Where their mother, Care, like a drowsy child, Is laid asleep in flowers.
Стр. 169 - And where we are, our learning likewise is. Then, when ourselves we see in ladies...
Стр. 60 - ... much in this point from one another. Now opium, by greatly increasing the activity of the mind, generally increases, of necessity, that particular mode of its activity by which we are able to construct out of the raw material of organic sound an elaborate intellectual pleasure.
Стр. 141 - I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side...
Стр. 89 - Symbol of Eternity imprisoned into 'Time!' it is not thy works, which are all mortal, infinitely little, and the greatest no greater than the least, but only the Spirit thou workest in, that can have worth or continuance.