Byron & Shakespeare - Wils KniRoutledge, 28 окт. 2013 г. - Всего страниц: 408 In this volume, G. Wilson Knight deals with the "superabundance of analogies between Byron and Shakespeare" through analysis and literarty criticism of poetry, sonnets and essays. |
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Стр. 1
... periods . Byron is as notable for his synthesis of the Augustan and the Romantic , which corresponds roughly to the aristocratic and the revolutionary , as was Shakespeare for his interfusing of the Medieval and the Renaissance . In ...
... periods . Byron is as notable for his synthesis of the Augustan and the Romantic , which corresponds roughly to the aristocratic and the revolutionary , as was Shakespeare for his interfusing of the Medieval and the Renaissance . In ...
Стр. 4
... periods of composition . Even so , is it not strange , if I am right in claiming that they are so alike in both depth and surface , that their at least superficial reputations in regard to those affairs of state with which both were so ...
... periods of composition . Even so , is it not strange , if I am right in claiming that they are so alike in both depth and surface , that their at least superficial reputations in regard to those affairs of state with which both were so ...
Стр. 7
... period which , as Patrick Cruttwell has argued in The Shakespearean Moment ( 1954 ) , enjoyed a unique balance of Church and State , corresponding within a limited field to the balance of Pope and Emperor striven for in the Middle Ages ...
... period which , as Patrick Cruttwell has argued in The Shakespearean Moment ( 1954 ) , enjoyed a unique balance of Church and State , corresponding within a limited field to the balance of Pope and Emperor striven for in the Middle Ages ...
Стр. 18
... period of 1815-1816 , the period of Napoleon's fall . Byron was kaleidoscopic ; he was good and evil , violent and childlike , worldly and fey ; and yet a single , recognizable man . Each of these qualities were aspects only ; the man ...
... period of 1815-1816 , the period of Napoleon's fall . Byron was kaleidoscopic ; he was good and evil , violent and childlike , worldly and fey ; and yet a single , recognizable man . Each of these qualities were aspects only ; the man ...
Стр. 20
... period notoriously difficult to put across . My own inability to find a better word than ' interpretation ' for the new type of literary exegesis in which I have now for forty years been engaged is a modern example . Any hint of some ...
... period notoriously difficult to put across . My own inability to find a better word than ' interpretation ' for the new type of literary exegesis in which I have now for forty years been engaged is a modern example . Any hint of some ...
Содержание
1 | |
24 | |
III A Regency Hamlet | 73 |
IV Falstaff and Comedy | 117 |
V Richard III and Macbeth | 151 |
VI Timon and Shylock | 188 |
VII Antony and Cleopatras Othello | 227 |
VIII Tempests Lear Prospera | 262 |
IX Henry VIII | 317 |
X The Golden Thread | 333 |
The Separation Controversy | 351 |
Index of Name and Titles | 367 |
Index of Byronic ThemesSelected | 378 |
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Часто встречающиеся слова и выражения
action Antony appears beauty become Cain called cause Childe Harold Cleopatra corresponds dark death Don Juan drama dream earth England existence experience fear feel felt given Greece Hamlet heart Henry Hobhouse honour human imagination Italy Journal kind King Lady Lady Melbourne least leaving less letter light lines living Lord Byron Macbeth Manfred March marriage means mind Moore moral Murray mystery nature never once Parry passage passion perhaps period phrase play poem poet poetic poetry political present quoted reason records reference regarded relation remained Richard seems seen sense sexual Shakespeare's Shakespearian society Sonnets soul spirit strong suggests symbol tells Tempest thee things thinking thou thought Timon told tone true truth turn VIII whole writes written wrote young youth