Byron & Shakespeare - Wils KniRoutledge, 28 окт. 2013 г. - Всего страниц: 408 In this volume, G. Wilson Knight deals with the "superabundance of analogies between Byron and Shakespeare" through analysis and literarty criticism of poetry, sonnets and essays. |
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Стр. ix
... Dramatic Prose , are to be grouped with an abbreviated version of my Chariot of Wrath ( on Milton , 1942 ) to make part of a new volume soon to be published by Messrs . Methuen & Co. under the title Poets of Action . Once again I record ...
... Dramatic Prose , are to be grouped with an abbreviated version of my Chariot of Wrath ( on Milton , 1942 ) to make part of a new volume soon to be published by Messrs . Methuen & Co. under the title Poets of Action . Once again I record ...
Стр. xi
... Dramatic Prose : Byron Foundation Lecture , 1953. See p . ix . All page references are given without the letter ' p . ' except for those applying to my present volume , for which I use it . My Shakespearian numerals apply to the Oxford ...
... Dramatic Prose : Byron Foundation Lecture , 1953. See p . ix . All page references are given without the letter ' p . ' except for those applying to my present volume , for which I use it . My Shakespearian numerals apply to the Oxford ...
Стр. 2
... drama of the Empire was rising to the climax of its last act . ( Maurois , 198 ) Maurois is thinking of Byron's comments on the defeat of Napoleon . Here is the first , in his Journal for Saturday 9 April 1814 , using quotations from ...
... drama of the Empire was rising to the climax of its last act . ( Maurois , 198 ) Maurois is thinking of Byron's comments on the defeat of Napoleon . Here is the first , in his Journal for Saturday 9 April 1814 , using quotations from ...
Стр. 3
... dramatic condensation within the protagonist consciousness of Byron . Shakespeare is the natural voice and Byron the natural speaker . We begin to understand what Shakespeare , what all great drama , is for : it a exists for a human ...
... dramatic condensation within the protagonist consciousness of Byron . Shakespeare is the natural voice and Byron the natural speaker . We begin to understand what Shakespeare , what all great drama , is for : it a exists for a human ...
Стр. 5
... dramas are characterized by a fine balancing of sympathies ; he never as a dramatist whole - heartedly supports revolution as against rulers , nor rulers against revolution . What we can say is , that his interest in current events ...
... dramas are characterized by a fine balancing of sympathies ; he never as a dramatist whole - heartedly supports revolution as against rulers , nor rulers against revolution . What we can say is , that his interest in current events ...
Содержание
1 | |
24 | |
III A Regency Hamlet | 73 |
IV Falstaff and Comedy | 117 |
V Richard III and Macbeth | 151 |
VI Timon and Shylock | 188 |
VII Antony and Cleopatras Othello | 227 |
VIII Tempests Lear Prospera | 262 |
IX Henry VIII | 317 |
X The Golden Thread | 333 |
The Separation Controversy | 351 |
Index of Name and Titles | 367 |
Index of Byronic ThemesSelected | 378 |
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Часто встречающиеся слова и выражения
action Antony appears beauty become Cain called cause Childe Harold Cleopatra corresponds dark death Don Juan drama dream earth England existence experience fear feel felt given Greece Hamlet heart Henry Hobhouse honour human imagination Italy Journal kind King Lady Lady Melbourne least leaving less letter light lines living Lord Byron Macbeth Manfred March marriage means mind Moore moral Murray mystery nature never once Parry passage passion perhaps period phrase play poem poet poetic poetry political present quoted reason records reference regarded relation remained Richard seems seen sense sexual Shakespeare's Shakespearian society Sonnets soul spirit strong suggests symbol tells Tempest thee things thinking thou thought Timon told tone true truth turn VIII whole writes written wrote young youth