The Avant-Garde Feature Film: A Critical History
McFarland, 8 нояб. 2011 г. - Всего страниц: 230
Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.
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abstract Adams Sitney aesthetic American avant-garde animation Archangel art cinema artistic auteur avant avant-garde cinema avant-garde feature film avant-garde filmmakers Blood ofa Poet Blue camera Cocteau collage Conspirators ofPleasure contemporary avant-garde feature create critical cult films cultural Decasia diary film director discuss documentary dream editing Eraserhead essay film experience Experimental Cinema experimental film expressionism feature-length avant-garde films film practice film’s formal found footage garde film genre Glass Lips Godard Greenaway Guy Maddin Ibid idea imagery images Isou Jan Svankmajer Jarman L’Age d’Or Lyrical Nitrate Maddin mainstream film means Mekas Mekas’s metaphor mise-en-scène modern montage movie narrative Numbers O’Pray Paradjanov Peter Greenaway poetic present reality representation shot spectator Stan Brakhage style stylistic Su Friedrich suggests surrealism surrealist surrealist film Svankmajer’s Syberberg techniques Tetsuo thematic themes traditional trance film tropes types of avant-garde types of films unique Venom and Eternity viewer visual Walden women’s experimental Zorns Lemma