Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... referred to as poema , not one of the fourteen women did so.16 At a time when writing a poema was considered essential to be taken seriously as a poet , the gender norms of the genre made it almost im- possible for women write one ...
... referred to their works ( my focus here ) and the way critics or scholars later labeled them . For example , the Ler- montovskaia entsiklopediia states that Lermontov wrote thirty poemy ( Manuilov , 438 ) , while B. M. Eikhenbaum in the ...
... referred to Rostopchina as a poetessa rather than a poèt , and virtually all of them have characterized , and trivialized , her work as excessive and lacking.44 So , for example , Ivan Aksakov in a review of Rostopchina's first poetry ...
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Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre 57 8888888 | 57 |
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