Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... mentioned in the introduction , it seems likely that men literary gatekeepers — publishers , critics , editors — ignored women's poetry or found it irrelevant or meaningless because they had no knowledge of the experience it evoked ...
... mentioned in the introduction , which starts : I'm Nobody ! Who are you ? Are you - Nobody - Too ? Then there's a pair of us ! Don't tell ! they'd advertise - you know ! ( " I'm Nobody ! " in Poems of Emily Dickinson , ed . T. H. ...
... mention Khvoshchinskaia's true poetic debut five years earlier , in 1842 , when her poem , " Zavetnye chuvstva ... mentioned in chapter 2 , he published the first two groups of her poems below an article suggestively titled " Safo ...
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Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre 57 8888888 | 57 |
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