Free wandering thoughts, not tied to muse, Then take no care but only to be jolly: SONG. In Commendation of Music. WHEN Whispering strains do softly steal And when at every touch we feel A heart-string quake ;- Can scarce deny, 1 The soul consists of harmony. * * Oh, lull me, lull' me, charming air, My senses rock'd' with wonder sweet! 4 Like snow on wool thy fallings are, Soft like a spirit are thy feet. "Our souls consist." 3 "rock." Lull, lull, lull.” 26 4 "and." Grief' who need2 fear That hath an ear? Down let him lie, And slumbering die, And change his soul for harmony. 1 "Griefs." 2 "needs." N.B. The variations in the text of this song are taken from a copy in Bishop Sancroft's MS. collection of poetry in the Bodleian Library, dated 1647, to which Strode's name is subjoined. The printed copy is anonymous. ROBERT GOMERSALL Was born in 1600, and in 1614 sent to Christ-Church, Oxford, where he was afterwards made a student. Having taken the degree of A.M. and entered into orders, he became a celebrated preacher, and published several sermons (vide Wood's Ath. vol. i. p. 598). He wrote "The Levite's Revenge, containing Poeticall Meditations upon the nineteenth and twentieth chapters of Judges" (a sort of heroic poem), 1628, and "The Tragedie of Lodovick Sforza, Duke of Millan." Both were reprinted with a few occasional verses in 1633, 12mo. Upon our vain Flattery of Ourselves, that the succeeding Times will be better than the former. How we dally out our days! To find death! the which, if none We sought out, would show us one. Never was there morning yet Sweet as is the violet Which man's folly did not soon Wish to be expir'd in noon; To our bliss, and not our end. * Nay, the young ones in the nest But suppose that he is heard, Sooner shall the wandering star Be it joy, or be it sorrow, We refer all to the morrow; That, we think, will ease our pain; That, we do suppose again, Will increase our joy; and so Events, the which we cannot know, We magnify, and are (in sum) Well, the next day comes, and then VOL. III. M |