The Cambridge Companion to ConductingJosé Antonio Bowen Cambridge University Press, 20 нояб. 2003 г. - Всего страниц: 346 In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time. |
Содержание
The technique of conducting | 3 |
Conductors in rehearsal | 17 |
Studio conducting | 28 |
The conductor and the soloist | 40 |
Choral conducting | 45 |
Opera conducting | 65 |
The orchestra speaks | 79 |
History | 91 |
The Russian tradition | 191 |
Issues | 203 |
The conductor as artistic director | 205 |
Women on the podium | 220 |
Conducting early music | 237 |
Training Conductors | 249 |
The composerconductor and modern music | 262 |
Managers and the business of conducting | 274 |
The rise of conducting | 93 |
The Central European tradition | 114 |
The French tradition | 134 |
The Italian tradition | 146 |
The American tradition | 163 |
The English tradition | 178 |
The future of conducting | 286 |
Notes | 305 |
Bibliography | 324 |
341 | |
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American artistic Arturo Toscanini audience Bach Bach's Barbirolli baton Beecham Beethoven Berlin Berlioz Bernstein Boston Symphony Boston Symphony Orchestra Boulez Boult Brahms Bruno Walter Bülow Cambridge Companion career Carlos Kleiber Charles choir choral chorus composer composer's concert conducting technique conductor Conservatory contemporary critics d'orchestre ɖɔ ensemble example Festival Franz Liszt Furtwängler German gestures Hall Hector Berlioz instrument interpretation Italian Karajan keyboard Klemperer Leipzig Leon Botstein Leonard Bernstein Liszt London maestro Mahler manager Mendelssohn modern Monteux movement Mozart music director musicians Nikisch nineteenth century notes orches Paris performance pianist piano Pierre Monteux play players podium practice premiere professional recording rehearsal Reiner repertoire Richard Strauss Richter role score singers singing soloist Solti sound Spohr Spontini stage Stokowski Strauss string studio style Symphony Orchestra Szell Tchaikovsky tempo Thomas Toscanini tradition University Press Vienna violin violinist Wagner Walter Wilhelm Furtwängler women conductors York Philharmonic
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