of a barbarian I am become. "The piece which your wife is about to play, is extremely difficult," said a friend the other night. "I wish to God it was impossible," was my reply; and shortly after I exclaimed, in the midst of a most complicated fugue-" sed fugit interea, fugit irreparabile tempus," to the great scandal of all the bystanders, the casting of angry glances from the performers, the holding up of forefingers, and the general exclamation of "Hush!"-My guests are fonder of music than I am; a great many walk away into another room to play cards or chat during the performance of any favourite piece, but they invariably return when it is finished, to cry "Bravo! charming! beautiful! divine! ---Whose composition is that? Do pray oblige us with it once more.” Let none but the rich man aspire to the possession of a musical wife, for he must expect to pay for the luxury in proportion to its annoyance; a computation which renders it extravagant indeed. If ever a Congress of Sovereigns find themselves assembled in my pocket, they are presently dispersed for benefit tickets and subscription concerts. One meeting is no sooner over than another is announced; singers are never out of breath, fiddlers' arms never ache, my wife's tarantula is never cured, her fingers are never out of her harpsichord, and mine never out of my purse. The "No Song no Supper" of former days is now converted into "no Dinner no Song," for my table is beleaguered two or three times a week with a whole irruption of hungry harmonists, who commit grievous havock upon fish, flesh, and poultry, and cultivate the decanter as if they were drinking for a voice. At first I had no conception that a song could ever emerge from such a superincumbent mass of viands, deeming it as improbable an event as that the giants should upheave from beneath Mount Pelion, or that the bottom shelf of a tavern-larder should warble one of Moore's melodies. I found a malicious pleasure in believing, that even the ghost of a voice was laid, when lo!with no other conjuration than a preliminary "Hem," these ventripotent melodists called up from the Red Sea of my port and claret, all their buried swells, shakes, and cadences, as loud, clear, and lively, as ever they existed before dinner! But the crowning misery, the master mischief of the musico-mania, is the converting my dwelling into an opera-house or common hotel, for the benefit concert of some squalling Italian, when hundreds of utter strangers, upon the strength of their guinea tickets, stare me out of countenance in my own abode, hustling, elbowing, and pinioning me up into a corner where I can see and hear nothing, or compelling me to take my stand half-way down stairs with a cold wind blowing upon my back, and some gaping vulgarian treading upon my toes in front. This I hold to be so degrading, as well as offensive a proceeding, that I should never submit to be a personal witness of the outrage, but for certain considerations which I hardly know how to mention to "ears polite." Suffice it to say, that I find it necessary to look, as well as listen upon these occasions, for among my visitants I have had amateurs of other things than music; gentlemen, who have learned the new art of fingering, without the assistance of the chiroplast; shrewd conveyancers, who can make a transfer from a chimney piece to a pocket in a demi-semiquaver. I accuse nobody-the whole six hundred at my last invasion were, doubtless, "all honourable men," though I had not the honour of knowing them; and the phenomena I am about to relate, are unquestionably attributable to the music. We know what magical effects it produced among the ancients Orpheus and old Amphion play'd But then we know they had their Lyres. I firmly believe that the walls of Thebes built themselves to the tune of "The Freemasons' March," and that tigers and kids, lambs and lions, raised themselves upon their hind legs and waltzed lovingly together, when Orpheus sang to Chiron; for I have witnessed enchantments in my own house not a whit less miraculous. A small antique Apollo, that stood upon a bracket in my drawing-room, although he had but one leg, has hopped clean away, probably imagining, from the concord of sweet sounds, that he was regaining his favourite Parnassus. By what arrangement of muscles Mercury could ply the wings attached to his cap, I could never comprehend, but it is obvious that he possesses the power, for a little bronze image of that god has flown away from my chimney-piece. This, however, may be the pious abduction of some one who recognised his appropriate deity, and so bore him off in triumph. A beautiful nymph skipping has jumped from my writing-table, and eloped from the paternal roof. If the gentleman with whom she has taken refuge will return her to her disconsolate owner, he may retain the rope for his own use. Philip the Fifth of Spain fell once into such a fit of low spirits, that for several months he refused to be shaved, until the soothing sweetness of Farinelli's strains induced him to submit his chin to the razor with great cheerfulness and resolution. Well, I had a large medal of this monarch in his bearded state, which must have recognised, in some of my Italian warblers, such approximation to Farinelli's notes, that it has rolled itself away for the purpose, probably, of undergoing another capillary excision. Enquiries have been made at the barbers' and perfumers' shops in the neighbourhood, which, from their number of blocks and heads without brains, ought to know something of musical matters; but I can gain no tidings of the fugitive. An Egyptian Scarabæus in blue onyx, animated by some lively tune, not only crept from under a glass case, but crawled fairly out of my hall door at the last concert. Should any of my musical visitants have been mounted on its back, like Arion on his dolphin, and an accident have occurred from their crossing the street amid the rush of carriages, I sincerely hope the poor beetle has escaped unhurt. That a Parisian shepherdess in bisquit should take French leave of my mantelpiece, is perhaps natural, and may be attributed to love of home rather than of music; nor is it wonderful that a gold box with Thieves vinegar should abscond, for the present possessor establishes his claim to the perfume by keeping its case :-but I cannot comprehend how a verd-antique pitcher with one ear, and that one hermetically sealed, should be so fascinated as to run off with one of my melodists, and thus deprive me at once of "my friend and pitcher ;" nor why so apparently phlegmatic and discreet an inmate as a silver candlestick, should become a "Fanatico per la Musica," and walk off to encounter more melting strains than those to which it was nightly subjected in the performance of its duty. My wife remarks with great originality and shrewdness, that things cannot go without hands.-Not even harpsichords, I replied; and yet they are constantly going. However, I am a recognised amateur, and of course bound to like music, whatever effects it produces; though I confess I should be better pleased if every visitant were compelled to give a concert in return, by which arrangement our moveables might justify their name, and after performing the tour of our circle, return to their original quarters. At all events I am an inveterate amateur, and therefore I exclaim con amore, and with infinite bitterness-Hail to that bewitching art, which lightens our bosoms as well as our brackets, eases us of our cares and candlesticks, imperceptibly steals away our vexations and valuables, and clears at the same moment our minds and our mantelpieces! H. AN INVOCATION. O THOυ undying Spirit of poetry! Spirit, or nymph, or muse,-laurell'd,-bright-eyed ;— O by what name holy and chaste, yet warm And from the inner heaven the clouded moon : By streaming torrents and the driving hail, She hid her head eclipsed, sending abroad A tremulous glance which dyed the vapour's edge Sailing along the skies magnificent. Great Dian! if on some orb nigh to thee, Bid her arise and quit her radiant home. A sound,—no more; or haplier some fine power And shadow'd out in human shape by man, B. C. PETER PINDARICS. The Poet and the Alchymist. AUTHORS of modern date are wealthy fellows;- The rhimes and novels which cajole us, But from the waters of Pactolus. Before this golden age of writers, Of odes and poems to be twisted For patrons who have heavy purses.- All ticketed from A to Izzard; And though unflatter'd by the dimmest To find the art of changing metals, Our starving Poet took occasion Or laudatory dedication, But with an offer to impart, For twenty pounds, the secret art, Which should procure, without the pain Of metals, chymistry, and fire, What he so long had sought in vain, The money paid, our bard was hurried To the philosopher's sanctorum, Who, somewhat sublimized and flurried, Crow'd, caper'd, giggled, seem'd to spurn his And cried, as he secured the door, And carefully put to the shutter, "Now, now, the secret I implore; For God's sake, speak, discover, utter !" With grave and solemn look, the poet Let this plain truth those ingrates strike, Who still, though bless'd, new blessings crave, That we may all have what we like, Simply by liking what we have!"" The Astronomical Alderman. Or Mr. Miller's, commonly call'd Joe. When ridicule he meant to brave, Said he was more PH. than N. Meaning thereby, more phool than nave, Though they who knew our cunning Thraso, Pronounced it flattery to say so.— His civic brethren to express His "double double toil and trouble," And bustling noisy emptiness, Had christen'd him Sir Hubble Bubble. This wight ventripotent was dining That tomb omnivorous-his paunch, Inflicting many a horrid gash, Of such supreme beatitude "Sir," he exclaim'd between his bumpers, Copernicus and Tycho Brahe, And all those chaps have had their day, They've written monstrous lies, Sir,-thumpers!— The earth stands still-it stands to reason. |