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INDEX

ADRIAN'S Villa near Tivoli, see illus- | Bologna, 50; letters from, 126, 136;

tration facing 218

cemetery of, 127

Alban Mount, 47, 106; see illustra- Borghese Villa, Rome, see illustration
tions facing 48, 84

facing 286

Albano, Town and Lake, 47, 106; Bowles, W. L., 193

see illustration facing 110

Brenta River, 51, 66

Albaro, Byron's home at, 239; see Bridge of Sighs, Venice, 7, 60; see
illustration facing 312

Alfieri's Tomb (Santa Croce Church,
Florence), 32, 71; see illustration
facing 120

Alps and Switzerland, 15, 78, 79; the
scene of "Manfred," 12, 15; traces
of in the drama, 34-47
American liberty, Byron's sympathy
in, 4, 84, 134

illustration facing 60

Bronze Wolf, Rome, 83; see illustra-
tion facing 82

Burial-place of Byron, 239, 240
Busts done of Byron, by various
sculptors, 51, 259

Byron's Grotto, see illustration fac-
ing 296

American ships and visitors, 251,"CAIN," Concerning, 192, 195, 196,

254

Apennines, The, 78

235; dedication, 242; criticisms of,
244-248, 250, 253, 297, 307

Apollo Belvedere, 104, 105; see illus Campanile, Venice, see illustration

tration facing 106

Arch of Titus, Rome, 90

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facing 2

Campbell, Thomas, 193, 297

Ariosto," by Titian, in the Manfrini Camuccini, Vincenzo; his portrait of

Palace, Venice, 28

Armenian language, Byron's study
of the, 5

Arqua, Petrarch's house and tomb at,
67, 68, 73; see illustration facing

66

"Aurora" by Guido Reni (Palazzo
Rospigliosi, Rome), 303; see illus-
tration facing 304

BÆDEKER, Herr Fritz, quoted, xvii
Baillie, Joanna, 193
Bancroft, George, 252
"Beppo," Concerning, 111
Beyle, Henri, concerning Byron, 5, 6
Blaquière, Captain, and the expedi-
tion to Greece, 239

Boccaccio's grave at Certaldo, 73

Byron, xx, xxi; see illustration
facing 234

Canova's bust of Helen, 9, 10; Byron's
estimate of his place as an artist,
58, 72, 118

Capitoline Hill, Rome, 90; see illus-
tration facing 90

Caracalla, Baths of, Rome, see illus-
tration facing 264

Carbonari league, 184, 191, 194
Chapel of New Sacristy of San Lor-
enzo, Florence, 32, 74; see illustra-
tion facing 32

"Childe Harold," Concerning, xvii,
4, 5, 54, 125, 158, 252, 310
Clitumnus, The river, 49, 76
Cohen, Byron's reply to criticism of,
136

Coleridge, Samuel Taylor, 193, 298
Coliseum of Rome, 40, 97, 99, 100;

see illustration facing 40

Forum, the Roman, 90; see illustra-
tions facing 88, 276

Foscolo, Ugo (Niccolo), 124, 125, 189

Column of Phocas, Rome, 89; see il "Francesca of Rimini," Concerning,
lustration facing 88

Columns of The Lion and St. Theo-
dore, Venice, 7, 62; see frontis-
piece

Copyrights, Byron's, 6
Cornwall, Barry, 194
Coulmann, J. J., Letter to, 316
Crabbe, George, 136

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Disraeli, Isaae, Letter to, 254

176

Frascati (Old Amphitheatre of Tus-
culum), 48; see illustration facing

48

Frere, John Hookham, 111, 123
Friuli, District of, 66

GALIGNANI, the critic of "Cain,"
253, 259, 307

Galileo Galilei, Tomb of (Santa Croce
Church, Florence), 32, 71; see il-
lustration facing 54

Gamba family, 146, 152, 195, 238, 310
Gandolfo, Castle, on Lake Albano,
see illustration facing 110

Doges' Palace, Venice, 7, 60, 63; Genoa, Letters from, 307, 311, 312,
see frontispiece

316

Domenichino, Byron's appreciation Gifford, Editor Quarterly Review,
of, 127

"Don Juan," Concerning, xviii,
xix, 5, 122-125, 127, 135-139,
179-181, 188, 190, 236, 239, 247, 252,
258, 297, 308, 310

Dupuy, Villa, near Leghorn, 253, 254,

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FERRARA, Byron's visit to, 4, 18, 19,
127, 128

Florence, 4, 18, 31, 70, 160, 174, 175;
see illustrations facing 32, 68

Foligno, 4; letter from, 31

10-12, 16, 17, 30, 33, 50, 51, 55, 136,
192, 246, 247

Giorgione's pictures (Manfrini Pal-
ace, Venice), 29, 113, 114
Gondolas, Venetian, 115, 116
Greece, Byron's expedition to, 239,

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Horses of St. Mark's, 7, 62; see illus- | " 'Manfred," Concerning, 4, 11, 12,
15, 17, 30-33, 112, 253

tration facing 62

Hunt, John, 50, 51, 236, 237, 308, Manfrini Palace, Venice, Paintings
311; letters to, 311, 312

Hunt, Leigh, 18, 148, 237, 256, 258,

309, 314, 315

in the, 28, 29, 113

"Marino Faliero, Doge of Venice,"
Concerning, 3, 4, 12, 13, 179, 297
"Mazeppa," Concerning, 5, 176

IRVING'S Works, Byron's admiration Medici Chapel, Florence, 32, 74; see

for, 186

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JEFFREY, Editor Edinburgh Review, Medwin, Thomas, 238

11, 14, 235, 253, 256

Journal, Byron's, 15

KEATS, John, 298

Kinnaird, Mr., 33, 123, 135, 136, 311

Michael Angelo's Tomb (Santa Croce
Church, Florence), 32, 71; his
painting of "The Last Judgment"
and statue of Moses, 172; his treat-
ment by the popes, 173; see illus-
trations facing 32, 124, 128, 172, 180

LADY BYRON, Separation from, 14, Milman, Henry H., 194

16

Lago di Garda, 8

Mocenigo, Palazzo, Venice, Byron's
residence, 121

"Lalla Rookh," Thomas Moore, 13, Montenero, near Leghorn, Letters
17, 48, 51, 52, 55

from, 251, 253, 254, 256

"Lament of Tasso," Concerning, 4, Moore, Thomas, 5, 16, 55, 119, 123,

33

Landor, Walter Savage, xv, 298
Lanfranchi Palace, Byron's home in
Pisa, 241, 242

Laocoon Group, 104; see illustration
facing 96

66

141, 181, 193, 194, 297, 316; letters
to, 13, 14, 17, 52, 151, 182, 185, 186,
194, 248, 253, 256, 258

'Morgante Maggiore," Concerning
Byron's translation of, xviii, 153,
180, 193

Leigh, Lady Augusta, Byron's sister, Moses, Statue of, designed by Michael

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Pay received by Byron for his writ-
ings, 6, 7, 17, 33

Petrarch's house and tomb at Arqua,
67, 68, 72; see illustration facing
66

Pindemonte, Ippolito, 49, 50

ecy of Dante," 167, 168; see illus
trations facing 18, 24, 40, 80, 82,
88, 90, 94, 96, 98, 100, 102, 104,
106, 128, 136, 172, 180, 264, 276,
286, 304

Pineta, near Ravenna, 135, 289; see ST. JOHN AND ST. PAUL, Church
illustration facing 142

Pisa, Byron's residence at, 238, 240,
241; letters from, 241, 244, 248,
250, 256-258; see illustration fac-
ing 242

Pitti Palace paintings, 32; see illustra-
tion facing 128

Po, The river, 149, 169

of, Venice, 197, 198; see illustration
facing 198

St. Mark's, Venice, 7, 8, 62; see
illustrations facing 2, 62

St. Peter's, Rome, 101-103; see illus
trations facing 102, 104

San Giovanni e San Paolo, Church
of, and space before, Venice, 197

Porto Venere in Gulf of Spezia, see Santa Croce church, Florence, 32,

illustration facing 296

Portraits of Byron, xx, 251, 252, 254,
259; see illustrations facing 234,

252

Prison across "The Bridge of Sighs"

7, 60; see illustration facing 60
"Prophecy of Dante," Concerning,
140, 156, 176, 238
Pulci, and Byron's translation of
"Morgante Maggiore," xviii, 153,
180, 193, 312

Quarterly Review, 307, 310

RAVENNA, 18, 73, 145, 175; letters
from, 134, 152, 153, 157, 176, 178,
179, 182, 185, 186, 188, 190, 192,
194; see illustrations facing 142,
150, 156

Religious belief of Byron, 248
"Remarks on Antiquities, Arts, and
Letters during an Excursion in
Italy in 1802 and 1803," by Joseph
Forsyth, 49

71, 73; see illustrations facing 54,
68, 116, 120, 124
"Sardanapalus," Concerning, 189
Scipios, Tomb of the, Rome, 81
Scott, Sir Walter, 16, 119, 151, 180,

181, 193; letters to, 242, 297
Shelley, xv, 5, 147, 148, 236–238,
248, 257-259, 309, 310; letter to
Mrs. Shelley, 315
Society, Italian, 154–156

Soracte, Mount, 79; see illustration
facing 86

Southey, Robert, 180, 193, 242, 247,
279, 286, 297

Spezia, Gulf of, see illustration facing

296

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Reni, Guido, "Aurora," 303; see Tasso's oak, see illustration facing 24

illustration facing 304

Rhætian Alps, 66

Temple of Clitumnus, 76; see illus-
tration facing 76

Rialto, The, 202; see illustration Terni, The Fall of, 18, 49, 77, 78;

facing 64

Rimini, 18

Rogers, Samuel, 119

Rome, Byron's visits to, 4, 18, 33,
47-49; letters from, 32, 47; in
"Childe Harold," 80; in "Proph-

see illustration facing 78

"The Age of Bronze," Concerning,

239

"The Blues," Concerning, 312
"The Island," Concerning, 239
"The Last Judgment," Michael

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