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Lat. How, sir? I pray you clear that.
Norb. What is the question first?

Rusee. Of the duke's life; what dangers
threaten him?

Norb. Apparent, and those sudden, when the byleg

Or Alchoroden by direction come

To a quartile opposition of the place
Where Mars is in the geniture, (which is now
At hand) or else oppose to Mars himself;
expect it.

Lat. But they may be prevented?
Norb. Wisdom only

[ing

That rules the stars, may do it; for Mars be-
Lord of the geniture in Capricorn,
Is, if you mark it, now a Sextile here,
With Venus lady of the horoscope.

So she being in her exilium, which is Scorpio,
And Mars his gaudium, is o'er-rul'd by him,
And clear debilitated five degrees
Beneath her ordinary power, so
That, at the most, she can but mitigate.

Lut. You cannot name the persons bring
this danger?

Norb. No, that the stars tell not us; they

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(Norb. How old is he?
Fiske. About seven and fifty.)

Norb. His head and beard inclining to bė
Lat. Right, sir.
[grey.
(Fiske. And fat.)

Norb. He's somewhat corpulent, is he not? Lut. You speak the man, sir.

Norb. Well, look to him! Farewell! [Exit. Lat. Oh, it is Aubrey. Gentlemen, I pray

ye,

Let me receive this under all your hands. Rusee. Why, he will shew you him in his magick-glass,

If you entreat him, and but gratify
A spirit or two more.

Lat. He shall eat gold,

If he will have it; so you shall all. There's that

Amongst you first. Let me have this to send The duke in the mean time; and then what sights

You please to shew. I'll have you so rewarded As never artists were; you shall to court Along with me, and there not wait your for[pockets.

tunes.

Bube. We have a pretty part of't in our Boy, we will all be new; you shall along too. [Exeunt.

SCENÈ IIÍ.

Enter Sophia, Matilda, and Edith.
Mat. Good madam, hear the suit that
Edith urges,

With such submiss beseeches; nor remain
So strictly bound to sorrow for your son,
That nothing else, tho' never so befitting,
Obtains your ears or observation.

Soph. What would she say? I hear.
Edith. My suit is, madam,

That you would please to think as well of
justice
[added
Due to your son's revenge, as of more wrong
To both yourselves for it, in only grieving.
Th' undaunted power of princes should not be
Confin'd in deedless cold calainity;
Anger (the twin of Sorrow) in your wrongs
Should not be smother'd when his right of
birth
forth.

Claims th' air as well, and force of coming Soph. Sorrow is due already 62; Anger never Should be conceiv'd, but where it may be born

but it is certainly a very just banter upon the ridiculous credulity of our Authors' age. The words Almuter and Alcoroden are two words which Bailey, the only dictionary I found them Seward. in, makes pretty near the same thing, viz. The star that reigns at our nativity. 62 Sorrow is due already.] Thus read the old books; and who can read with Seward, HAS's due, without the organs of a serpent? Edith desires them

to think as well of justice

Due to her son's revenge, as of more wrong
Added to both themselves, in only grieving :'

and further says, that Anger is the twin of Sorrow.' Sophia replies, that 'Sorrow is due already, but that Anger, unless it could be brought forth with effect, had better not be con ceived;' by which answer she both replies to Edith's argument and her metaphor: At least, the reading is intelligible, and Mr. Seward's variation illegible. We have therefore followed the old books.

In some fact fit t' employ his active flame, That else consumes who bears it, and abides Like a false star that quenches as it glides. Edith. I have such means t' employ it as your wish

Can think no better, easier, or securer; And such as, but for the honours I intend To your partakings, I alone could end. But your parts in all dues to crying blood For vengeance in the shedder, are much greater, [slaughter;

And therefore should work your hands to his For your consent to n hich, 'twere infinite

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Is but some richer ornaments and jewels
Than I am able to provide myself,
To help out the defects of my poor beauty,
That yet hath been enough, as now it is,
To make his fancy mad with desire.
my
But you know, madam, women never can
Be too fair to torment an amorous man;
And this man's torments I would heighten still,
Till at their highest he were fit to kill.

Mat. Thou shalt have all my jewels and my mother's;

And thou shalt paint too, that his blood's de

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wrongs

Your lordship's privacy.

Aub. Captain, your love

Is ever welcome. I entreat your patience
While I peruse these.

Ham. I attend your pleasure.
Aub. How's this? a plot on me?
Ham. What is contain'd

I' th' letters that I brought, that thus transports him?

Aub. To be wrought on by rogues, and have my head [bread? Brought to the axe by knaves that cheat for The creatures of a parasite, a slave?

I find you here, Latorch, nor wonder at it; But that this honest captain should be made His instrument, afflicts me: I'll make trial Whether his will or weakness made him do it.

63

dares talk any thing that was

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[refuse,

Aub. Nor would you, captain, I believe,
Or for respect of thankfulness, or hopes,
To use your sword with fullest confidence
Where he shall Lid you strike.

Ham. I never have done.
Aub. Nor will, I think.

Ham. I hope it is not question'd.

Aub. The means to have it so is now propos'd you. [head! Draw; so, 'tis well; and next, cut off my Ham. What means your lordship?

Aub. Tis, sir, the duke's pleasure; My innocence hath made me dangerous, And I must be remov'd; and you the man Must act his will.

Ham. I'll be a traitor first, Before I serve it thus!

Aub. It must be done;

[warrant.

And that you may not doubt it, there's your But as you read, remember, Hamond, that I never wrong'd one of your brave profession; And, tho' it be not manly, I must grieve That man of whose love I was most ambitious Could find no object for his hate but me.

Ham. It is no time to talk now. Honour'd sir,

Be pleas'd to hear thy servant: I am wrong'd,
And cannot, being now to serve the duke,
Stay to express the manner how; but if
I do not suddenly give you strong proofs
Your life is dearer to me than my own,
May I live base, and die so! Sir, your pardon.
[Exit.

Aub. I'm both ways ruin'd, both ways

mark'd for slaughter!.

On every side, about, behind, before me,
My certain fate is fix'd! Were Laknave now,
I could avoid this; had my actions
But mere relations to their own ends, I could

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Against the torrent of his own opinion.] The old quarto for was reads runs, a word much preferable to the other. But what during is there to talk only against his own opinion? To talk against such a man as Rollo's was daring indeed in an inferior. The words his own are probably a mere interpolation. Opinion, according to the constant usage of all the old poets, is four syllables or two, at will; and to call it opinion in general, rather than Rollo's in particular, is more elegant.

Seward,

Mr. Seward, therefore, treating opinion as four syllables,' omits the words his own. The Small change of talk into bulk, gives good versc, and sound sense,

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Or say he do not know it, where's my loyalty?
I know his nature, troubled as the sea,
And as the sea devouring where he's vex'd,
And I know princes are their own expounders.
Am I afraid of death? of dying nobly?
Of dying in mine innocence uprightly?
Have I met death in all his forms, and fears,
Now on the points of swords, now pitch'd on
lances,

In fires, in storms of arrows, battles,breaches,
And shall I now shrink from him, when he

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Enter Edith and a boy; a banquet set out.
Edith. Now for a father's murder, and
the ruin

All chastity shall suffer if he reign!
Thou blessed soul, look down, and steel thy
daughter,

Look on the sacrifice she comes to send thee,
And thro' that bloody cloud behold my piety!
Take from my cold heart fear, from my sex
pity,

And as i wipe these tears off, shed for thee,
So all remembrance may I lose of mercy!
Give me a woman's anger bent to blood,
The wildness of the winds to drown his
prayers!

Storm-like may my destruction fall upon him,

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(For yet my constant soul ne'er knew dissem-
Flattery the food of fools, that I may rock
him

And lull him in the down of his desires;
That, in the height of all his hopes and wishes,
His Heav'n forgot, and all his lusts upon him,
My hand, like thunder from a cloud, may
seize him!
[him.

I hear him come 64; go, boy, and entertain

SONG*.

Take, oh, take those lips away,

That so sweetly were forsworn,
And those eyes, like breek of day,

Lights that do mislead the morn;
But my kisses bring again,
Seals of love, tho' seal'd in vain.
Hide, oh, hide those hills of snow,
Which thy frozen bosom bears,
On whose tops the pinks that grow

Are yet of those that April wears;
But first set my poor heart free,
Bound in those icy chains by thee.
Enter Rollo,

Rollo. What bright star, taking Beauty's form upon her,

In all the happy lustre of Heav'n's glory,
Has dropp'd down from the sky to comfort
me?

Wonder of nature, let it not prophane thee
My rude hand touch thy beauty; nor this kiss
The gentle sacrifice of love and service,
Be offer'd to the honour of thy sweetness.

Edith. My gracious lord, no deity dwells
here,

Nor nothing of that virtue, but obedience;
The servant to your will affects no flattery.

Rollo. Can it be flattery to swear those eyes Are Love's eternal lamps he fires all hearts with?

That tongue the smart string to his bow? those sighs

64 I hear him come.] The following scene is evidently writ in emulation of the famous courtship of Richard the Third to Lady Ann; and though it may fall somewhat short, every reader of taste will be charmed with so noble a resemblance of that consummate master of dramatic poetry. Rollo is certainly an inferior character tỏ Richard, but Edith much excels Lady Ann, and indeed almost any female character that Shakespeare has drawn. So does Juliana in The Double Marriage, and Lucina in Valentinian. I forgot to mention in the former scenes of this play what were taken from Seneca's Thebais; but it is chiefly Sophia's speeches in the first act, which are almost literal translations. Seward.

The famous courtship of Richard to Lady Ann' is not one of the happiest scenes of Shakespeare; and if we should allow that Edith much excels Lady Ann,' we could not by any means add, with Mr. Seward, that she also excels almost any female character that Shakespeare has drawn,' Editors are not bound to be partial.

** Song.] The first stanza of this Song is to be found in Shakespeare's Measure for Measure; and the whole of it is printed, as the production of that Author, in the edition of his Poems published by S.wel and Gildon. But Dr. Percy observes, these Gentlemen have inserted therein many pieces not written by our great Bard, and the present is not in Jaggard's old edition of Shakespeare's Sonnets: We cannot, therefore, with certainty ascribe it to him. R.

The deadly shafts he sends into our souls?
Oh, look upon me with thy spring of beauty!
Edith. Your Grace is full of game.
Rollo. By Heav'n, my Edith,

Thy mother fed on roses when she bred thee. Edith. And thine on brambles, that have prick'd her heart out!

Rollo. The sweetness of th' Arabian wind, still blowing

Upon the treasures of perfumes and spices, In all their pride and pleasures, calls thee mistress!

Edith. Will't please you sit, sir? Rollo. So you please sit by me. Fair gentle maid, there is no speaking to thee; The excellency that appears upon thee Ties up my tongue! 'Pray speak to me. Edith. Of what, sir?

Rollo. Of any thing, and any thing is excellent. [then; Will you take my direction? Speak of love Speak of thy fair self, Edith; and while thou speak'st, [wench.

Let me, thus languishing, give up myself, Edith. I'has a strange cunning tongue.Why do you sigh, sir?

How masterly he turns himself to catch me! Rollo. The way to Paradise, my gentle maid,

Ling, Is hard and crooked, scarce repentance indWith all her holy helps, the door to enter. Give me thy hand: What dost thou feel? Edith. Your tears, sir;

You weep extremely.-Strengthen me now, justice!

Why are these sorrows, sir?

Rollo. Thou'lt never love me

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(As I deserve it, lady) for my true love, When thou hast loaden me with earth for ever,

Take heed my sorrows, and the stings I suffer,

Take heed my nightly dreams of death and horror, [then, Pursue thee not; no time shall tell thy griefs Nor shall an hour of joy add to thy beauties. Look not upon me as I kill'd thy father; As I was smear'd in blood, do thou not hate me; [ance, But thus, in whiteness of my wash'd repentIn my heart's tears and truth of love to Edith, In my fair life hereafter

Edith. He will fool me!

Rollo. Ob, with thine angel-eyes behold

and bless me!

Of Heav'n we call for mercy, and obtain it; To Justice for our right on earth, and have it; Of thee I beg for love; save me, and give it!

Edith. Now, Heav'n, thy help, or I am gone for ever;

His tongue has turn'd me into melting pity! Enter Hamond and Guard.

Ham. Keep the doors safe; and, upon pain of death,

Let no man enter 'till I give the word.
Guard. We shall, sir.

[Exeunt. Ham. Here he is, in all his pleasure:

I have my wish.

Rollo. How now? why dost thou stare so? Edith. A help, I hope!

Rollo. What dost thou here? who sent thee?

[office

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