A Preface to WordsworthLongman, 1986 - Всего страниц: 203 A critical introduction to the life, thought, and art of the English Romantic poet in a new edition in which the author has chosen a number of representative poems to chart the growth of the poet's mind and explains the long philosophical poem "The Prelude", which reveals that autobiographical impulse to the full, as a work that went through many forms over half a century. |
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Стр. 72
... ideas we have , or can naturally have , do spring . The objects of sensation one source of ideas . First , our senses , conver- sant about particular sensible objects , do convey into the mind several distinct perceptions of things ...
... ideas we have , or can naturally have , do spring . The objects of sensation one source of ideas . First , our senses , conver- sant about particular sensible objects , do convey into the mind several distinct perceptions of things ...
Стр. 73
... ideas , is the perception of the operations of our own mind within us , as it is employed about the ideas it has got ; which operations , when the soul comes to reflect on and consider , do furnish the understanding with another set of ...
... ideas , is the perception of the operations of our own mind within us , as it is employed about the ideas it has got ; which operations , when the soul comes to reflect on and consider , do furnish the understanding with another set of ...
Стр. 84
... ideas . To label anything , whether an idea or a person , is fre- quently a method of blocking inquiry , of avoiding the difficulty of actually looking for ourselves ; it is a way of shunning mental adventure . And this is exactly the ...
... ideas . To label anything , whether an idea or a person , is fre- quently a method of blocking inquiry , of avoiding the difficulty of actually looking for ourselves ; it is a way of shunning mental adventure . And this is exactly the ...
Содержание
Biographical summaries | 3 |
Boat on Ullswater by Tom Sharpe | 10 |
The Prelude as autobiography I I | 11 |
Авторские права | |
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Abbey appearance associations became become begin called century child Cockermouth Coleridge considered continued Cottage course critics death described Dorothy early edition England English evidence example experience face fact feel felt France French give Grasmere Hartley heart human ideas important impression industrial influence interest John Journals Lake Lake District land later letter lines lived London look Lyrical Ballads mind Nature never objects observation original passage perhaps philosopher poem poet poetic poetry political poor Prelude present produced published readers reason reference remains seems seen sense shows side sonnet stayed tells things thought trees turned University usually verse visited walk whole Wordsworth worth writing written wrote