Polymath of the Baroque: Agostino Steffani and His Music
Oxford University Press, 23 окт. 2003 г. - Всего страниц: 440
This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
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A M P L E Agostino Steffani Alarico Alessandro alto Amor Antonio apostolic vicar arias Arminio bars bass Bernabei cantata capo carnival cavata Chamber Duets composer continuo contrapuntal counterpoint court D-Mbs D-Mbsa duet movements duke Düsseldorf earlier version Einstein elector Ercole Bernabei Ernst August Ex A M P L E Example Fedeli Fondo Spiga Franchini French GB-Lbl Germany Handel Hanover Hanover operas Hawkins Henrico Leone I-Rsge instruments Johann Wilhelm Kapellmeister Leonato letter libretto manuscript Maria Mauro Max Emanuel Maximilian II Emanuel motets Munich musicians Musik in Hannover Niobe œ œ œ opera orchestra Orlando generoso Ortensio Mauro ostinato Padua Palatine performed quadrifrons recitative revised ritornello Riva rivali concordi Rome score Servio Tullio singers solo Sophie Charlotte soprano Stef style sung Tassilone Terzago texture thalers Timms trio trionfi Venice verse Violanta violins vocal voice Wallbrecht words wrote