And the just pleasure lost, which is so deem'd Or on my frailties why are frailer spies, I may be straight, though they themselves be bevel '; By their rank thoughts my deeds must not be shown; Unless this general evil they maintain,— All men are bad, and in their badness reign. CXXII. 8 Thy gift, thy tables, are within my brain 6 - I am that I am;] So, in King Richard III. : I am myself alone." STEEVENS. 7-bevel] i. e. crooked; a term used only, I believe, by masons and joiners. STEEVENS. within my BRAIN Full CHARACTER'D with lasting MEMORY,] So, in Hamlet: from the table of my memory 66 "I'll wipe away all trivial fond records, "And thy commandment all alone shall live Again, in the same play : "And these few precepts in thy memory Again, in the Two Gentlemen of Verona: I do conjure thee, "Who art the table wherein all my thoughts 9 Or, at the least, so long as brain and heart Have faculty by nature to subsist;] So, in Hamlet: Till each to raz'd oblivion yield his part CXXIII. No! Time, thou shalt not boast that I do change: Not wondering at the present nor the past; CXXIV. If my dear love were but the child of state, Remember thee? Ay, thou poor ghost, while memory holds a seat "In this distracted globe." STEEVENS. That poor RETENTION could not so much hold,] That poor retention is the table-book given to him by his friend, incapable of retaining, or rather of containing, so much as the tablet of the brain. MALONE. No, it was builded far from accident; Whereto the inviting time our fashion calls: Which works on leases of short-number'd hours, That it nor grows with heat, nor drowns with showers. To this I witness call the fools of time, Which die for goodness, who have liv'd for crime *. CXXV. Were it aught to me I bore the canopy, 2 But all alone stands hugely politick,] This line brings to mind Dr. Akenside's noble description of the Pantheon: "Mark how the dread Pantheon stands, "Amid the domes of modern hands! "How simply, how severely great!" STEEVENS. 3 That it nor GROWS with heat, nor drowns with showers.] Though a building may be drown'd, i. e. deluged by rain, it can hardly grow under the influence of heat. I would read glows. STEEVENS. Our poet frequently starts from one idea to another. Though he had compared his affection to a building, he seems to have deserted that thought; and here, perhaps, meant to allude to the progress of vegetation, and the accidents that retard it. So, in the 15th Sonnet: "When I perceive, that every thing that grows, "When I perceive that men as plants increase, "Cheared and check'd even by the self-same sky," &c. the fools of time, MALONE. Which die for goodness, who have liv'd for crime.] Perhaps this is a stroke at some of Fox's Martyrs. STEEVENS. 5 With my EXTERN the OUTWARD honouring,] Othello : Thus, in Or lay'd great bases for eternity, Which prove more short than waste or ruining? Hence, thou suborn'd informer! a true soul, O thou, my lovely boy', who in thy power 8 "When my outward action doth demonstrate "In compliment extern-." STEEVENS. 6 Which is not MIX'D WITH SECONDS,] I am just informed by an old lady, that seconds is a provincial term for the second kind of flour, which is collected after the smaller bran is sifted. That our author's oblation was pure, unmixed with baser matter, is all that he meant to say. STEEVENS. 7 O thou, my lovely boy,] This Sonnet differs from all the others in the present collection, not being written in alternate rhymes. MALONE. And her QUIETUS-] So, in Hamlet: CXXVII. In the old age black was not counted fair, might his quietus make "With a bare bodkin." See note on that passage, Act III. Sc. I. This sonnet consists only of twelve lines. STEEVENS. 9 In the old age, &c.] The reader will find almost all that is said here on the subject of complexion, is repeated in Love's Labour's Lost: "O, who can give an oath? where is a book? "If that she learn not of her eye to look? "O, if in black my lady's brow be deck'd, "It mourns, that painting and usurping hair "Should ravish doters with a false aspéct ; "And therefore is she born to make black fair." STEEVENS. "In the old age," &c. All the remaining Sonnets are addressed to a female. MALONE. 1- and they mourners seem At such, who, not born fair, no beauty lack, Slandering creation with a false esteem:] They seem to mourn that those who are not born fair, are yet possessed of an artificial beauty, by which they pass for what they are not, and thus dishonour nature by their imperfect imitation and false pretensions. MALONE. |