Maori MusicAuckland University Press, 1996 - Всего страниц: 418 Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples. |
Содержание
Introduction | 1 |
Song and dance in historical and social context | 10 |
Visual | 16 |
Utu and muru | 22 |
Recited song and dance styles | 34 |
Whakaaraara paa | 40 |
Haka nomenclature | 64 |
Unnamed dances | 80 |
Learning and instruction | 221 |
Manner of singing | 232 |
Mode | 239 |
Interval preference by song type | 245 |
Recited items | 251 |
Songtext relationships | 258 |
Summary of styles | 264 |
Types of influence and change | 269 |
Work songs | 95 |
Sung song and dance styles | 110 |
Poi | 123 |
Oriori | 143 |
String games | 158 |
Musical instruments | 166 |
Aerophones | 174 |
Flutes | 184 |
Performance | 201 |
Riding in | 207 |
Individual composition | 213 |
Song loss | 276 |
Printings of hymns and psalms | 283 |
St Johns and Taupiri | 292 |
Early difficulties | 300 |
Later hymnody | 307 |
Alfred Hill | 313 |
Development of action song | 322 |
Cultural renaissance and neowaiata style | 346 |
Illustration credits | 359 |
References | 389 |
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