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the King of Sweden occupied, and of the principles AVOWED IN HIS MANIFESTOs; as laying hold of these advantages for the purpose of embodying moral truths. This remark might, perhaps, as well have been suppressed; for to those who may be in sympathy with the course of these Poems, it will be superfluous, and will, I fear, be thrown away upon that other class, whose besotted admiration of the intoxicated despot hereafter placed in contrast with him, is the most melancholy evidence of degradation in British feeling and intellect which the times have furnished.

Page 184

To the Daisy.'

This Poem, and two others to the same Flower, were written in the year 1802; which is mentioned, because in some of the ideas, though not in the manner in which those ideas are connected, and likewise even in some of the expressions, there is a resemblance to passages in a Poem (lately published) of Mr. Montgomery's, entitled, a Field Flower. This being said, Mr. Montgomery will not think any apology due to him; I cannot, however, help addressing him in the words of the Father of English Poets.

"Though it happe me to rehersin

That ye han in your freshe songis saied,
Forberith me, and beth not ill apaied,
Sith that ye se I doe it in the honour
Of Love, and eke in service of the Flour."
1807.

Page 190

The following is extracted from the journal of my fellow-traveller, to which, as persons acquainted with my poems will know, I have been obliged on other occasions:

"Dumfries, August 1803.

"On our way to the churchyard where Burns is buried, we were accompanied by a bookseller, who showed us the outside of Burns's house, where he had lived the last three years of his life, and where he died. It has a mean appearance, and is in a bye situation; the front whitewashed; dirty about the doors, as most Scotch houses are; flowering plants in the window.

Went to visit his grave; he lies in a corner of the churchyard, and his second son, Francis Wallace, beside him. There is no stone to mark the spot; but a hundred guineas have been collected to be expended upon some sort of monument. 'There,' said the bookseller, pointing to a pompous monument, 'lies Mr.'-(I have forgotten the name)—' a remarkably clever man; he was an attorney, and scarcely ever lost a cause he undertook. Burns made many a lampoon upon him, and there they rest as you see. .' We looked at Burns's grave with melancholy and painful reflections, repeating to each other his own poet's epitaph:'Is there a man,' etc.

"The churchyard is full of grave-stones and expensive monuments, in all sorts of fantastic shapes, obelisk-wise, pillar-wise, etc. When our guide had left us we turned again to Burns's grave, and afterwards went to his house, wishing to inquire after Mrs. Burns, who was gone to spend some time by the seashore with her children. We spoke to the maid-servant at the door, who invited us forward, and we sate down in the parlour. The walls were coloured with a blue wash; on one side of the fire was a mahogany desk; opposite the window a clock, which Burns mentions, in one of his letters, having received as a present. The house was cleanly and neat in the inside, the stairs of stone scoured white, the kitchen on the right side of the passage, the parlour on the left. In the room above the parlour the poet died, and his son, very lately, in the same room. The servant told us she had lived four years with Mrs. Burns, who was now in great sorrow for the death of Wallace. She said that Mrs. B.'s youngest son was now at Christ's Hospital. We were glad to leave Dumfries, where we could think of little but poor Burns, and his moving about on that unpoetic ground. In our road to Brownhill, the next stage, we passed Ellisland, at a little distance on our right-his farm-house. Our pleasure in looking round would have been still greater, if the road had led us nearer the spot.

*

"I cannot take leave of this country

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places among our mountains, in both of which I have since sought for it in vain.

Botanists will not, I hope, take it ill, if I caution them against carrying off, inconsiderately, rare and beautiful plants. This has often been done, particularly from Ingleborough and other mountains in Yorkshire, till the species have totally disappeared, to the great regret of lovers of nature living near the places where they grew.

Page 225

'The Waggoner.'

Several years after the event that forms the subject of the Poem, in company with my friend, the late Mr. Coleridge, I happened to fall in with the person to whom the name of Benjamin is given. Upon our expressing regret that we had not, for a long time, seen upon the road either him or his waggon, he said, "They could not do without me; and as to the man who was put in my place, no good could come out of him; he was a man of no ideas."

The fact of my discarded hero's getting the horses out of a great difficulty with a word, as related in the poem, was told me by an eye-witness.

Page 225

'The buzzing dor-hawk, round and
round, is wheeling,—'

When the Poem was first written the note of the bird was thus described :"The Night-hawk is singing his frog-like tune, Twirling his watchman's rattle about-" but from unwillingness to startle the reader at the outset by so bold a mode of expression, the passage was altered as it now stands.

Page 230

After the line, "Can any mortal clog come to her," followed in the MS. an incident which has been kept back. Part of the suppressed verses shall here be given as a gratification of private feeling, which the well-disposed reader will find no difficulty in excusing. They are now printed for the first time.

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But Benjamin, in his vexation, Possesses inward consolation;

*

He knows his ground, and hopes to find
A spot with all things to his mind,
An upright mural block of stone,
Moist with pure water trickling down.
A slender spring; but kind to man
It is, a true Samaritan ;

Close to the highway, pouring out
Its offering from a chink or spout;
Whence all, howe'er athirst, or drooping
With toil, may drink, and without stooping.
Cries Benjamin, 'Where is it, where?
Voice it hath none, but must be near.'
-A star, declining towards the west,
Upon the watery surface threw

Its image tremulously imprest,

That just marked out the object and withdrew: Right welcome service!

*

ROCK OF NAMES!

Light is the strain, but not unjust
To Thee, and thy memorial-trust
That once seemed only to express
Love that was love in idleness;
Tokens, as year hath followed year
How changed, alas, in character!

For they were graven on thy smooth breast
By hands of those my soul loved best;
Meek women, men as true and brave
As ever went to a hopeful grave:

Their hands and mine, when side by side
With kindred zeal and mutual pride,
We worked until the Initials took
Shapes that defied a scornful look.-
Long as for us a genial feeling
Survives, or one in need of healing,
The power, dear Rock, around thee cast,
Thy monumental power, shall last
For me and mine! O thought of pain,
That would impair it or profane!
Take all in kindness then, as said
With a staid heart but playful head;
And fail not Thou, loved Rock! to keep
Thy charge when we are laid asleep."

Page 344

'Descend, prophetic Spirit! that inspir'st The human Soul, etc.

"Not mine own fears, nor the prophetic Soul Of the wide world 'dreaming on things to come." Shakspeare's Sonnets.

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'Song at the Feast of Brougham Castle.

Henry Lord Clifford, etc., who is the subject of this Poem, was the son of John Lord Clifford, who was slain at Towton Field, which John Lord Clifford, as is known to the reader of English History, was the person who after the battle of Wakefield slew, in the pursuit, the young Earl of Rutland, son of the Duke of York, who had fallen in the battle, "in part of revenge" (say the Authors of the History of Cumberland and Westmoreland); *for the Earl's Father had slain his." A deed which worthily blemished the author (saith Speed); but who, as he adds, "dare promise any thing temperate of himself in the heat of martial fury? chiefly, when it was resolved not to leave any branch of the York line standing; for so one maketh this Lord to speak." This, no doubt, I would observe by the bye, was an action sufficiently in the vindictive spirit of the times, and yet not altogether so bad as represented; " for the Earl was no child, as some writers would have him, but able to bear arms, being sixteen or seventeen years of age, as is evident from this (say the Memoirs of the Countess of Pembroke, who was laudably anxious to wipe away, as far as could be, this stigma from the

illustrious name to which she was born), that he was the next Child to King Edward the Fourth, which his mother had by Richard Duke of York, and that King was then eighteen years of age and for the small distance betwixt her children, see Austin Vincent, in his Book of Nobility, p. 622, where he writes of them all. It may further be observed, that Lord Clifford, who was then himself only twenty-five years of age, had been a leading man and commander two or three years together in the army of Lancaster, before this time; and, therefore, would be less likely to think that the Earl of Rutland might be entitled to mercy from his youth.-But, independent of this act, at best a cruel and savage one, the Family of Clifford had done enough to draw upon them the vehement hatred of the House of York: so that after the Battle of Towton there was no hope for them but in flight and concealment. Henry, the subject of the Poem, was deprived of his estate and honours during the space of twenty-four years; all which time he lived as a shepherd in Yorkshire, or in Cumberland, where the estate of his Father-in-law (Sir Lancelot Threlkeld) lay. He was restored to his estate and honours in the first year of Henry the Seventh. is recorded that, "when called to Parliament, he behaved nobly and wisely; but otherwise came seldom to London or the Court; and rather delighted to live in the country, where he repaired several of his Castles, which had gone to decay during the late troubles." Thus far is chiefly collected from Nicholson and Burn; and I can add, from my own knowledge, that there is a tradition current in the village of Threlkeld and its neighbourhood, his principal retreat, that in the course of his shepherd-life he had acquired great astronomical knowledge. I cannot conclude

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this note without adding a word upon the subject of those numerous and noble feudal Edifices, spoken of in the Poem, the ruins of some of which are, at this day, so great an ornament to that interesting country. The Cliffords had always been distinguished for an honourable pride in these Castles; and we have seen that, after the wars of York and Lancaster, they were rebuilt; in the civil wars of Charles the First they were

again laid waste, and again restored almost to their former magnificence by the celebrated Lady Anne Clifford, Countess of Pembroke, etc. Not more than twentyfive years after this was done, when the estates of Clifford had passed into the Family of Tufton, three of these Castles, namely, Brough, Brougham, and Pendragon, were demolished, and the timber and other materials sold by Thomas Earl of Thanet. We will hope that, when this order was issued, the Earl had not consulted the text of Isaiah, 58th chap. 12th verse, to which the inscription placed over the gate of Pendragon Castle by the Countess of Pembroke (I believe his Grandmother), at the time she repaired that structure, refers the reader:-"And they that shall be of thee shall build the old waste places: thou shalt raise up the foundations of many generations; and thou shalt be called, The repairer of the breach, The restorer of paths to dwell in." The Earl of Thanet, the present possessor of the Estates, with a due respect for the memory of his ancestors, and a proper sense of the value and beauty of these remains of antiquity, has (I am told) given orders that they shall be preserved from all depredations.

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Page 365

'Armour rusting in his halls

On the blood of Clifford calls.

The martial character of the Cliffords is well known to the readers of English history; but it may not be improper here to say, by way of comment on these lines and what follows, that besides several others who perished in the same manner, the four immediate Progenitors of the Person in whose hearing this is supposed to be spoken all died in the Field.

Page 365

'The White Doe of Rylstone.'

The Poem of the White Doe of Rylstone is founded on a local tradition, and on the Ballad in Percy's Collection, entitled "The Rising of the North." The tradition is as follows: -"About this time," not long after the Dissolution, "a White Doe," say the aged people of the neighbourhood,

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'long continued to make a weekly pilgrimage from Rylstone over the fells of Bolton, and was constantly found in the Abbey Churchyard during divine service; after the close of which she returned home as regularly as the rest of the congregation."— DR. WHITAKER'S History of the Deanery of Craven.-Rylstone was the property and residence of the Nortons, distinguished in that ill-advised and unfortunate Insurrection; which led me to connect with this tradition the principal circumstances of their fate, as recorded in the Ballad.

"Bolton Priory," says Dr. Whitaker in his excellent book, The History and Antiquities of the Deanery of Craven, "stands upon a beautiful curvature of the Wharf, on a level sufficiently elevated to protect it from inundations, and low enough for every purpose of picturesque effect.

"Opposite to the East window of the Priory Church, the river washes the foot of a rock nearly perpendicular, and of the richest purple, where several of the mineral beds, which break out instead of maintaining their usual inclination to the horizon, are twisted by some inconceivable process into undulating and spiral lines. To the South all is soft and delicious; the eye reposes upon a few rich pastures, a moder

ate reach of the river, sufficiently tranquil to form a mirror to the sun, and the bounding hills beyond, neither too near nor too lofty to exclude, even in winter, any portion of his rays.

"But after all, the glories of Bolton are on the North. Whatever the most fastidious taste could require to constitute a perfect landscape, is not only found here, but in its proper place. In front, and immediately under the eye, is a smooth expanse of park-like enclosure, spotted with native elm, ash, etc. of the finest growth: on the right a skirting oak wood, with jutting points of grey rock; on the left a rising copse. Still forward are seen the aged groves of Bolton Park, the growth of centuries; and farther yet, the barren and rocky distances of Simon-seat and Barden Fell contrasted with the warmth, fertility, and luxuriant foliage of the valley below.

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About half a mile above Bolton the valley closes, and either side of the Wharf is overhung by solemn woods, from which huge perpendicular masses of grey rock jut out at intervals.

"This sequestered scene was almost inaccessible till of late, that ridings have been cut on both sides of the river, and the most interesting points laid open by judicious thinnings in the woods. Here a tributary stream rushes from a waterfall, and bursts through a woody glen to mingle its waters with the Wharf: there the Wharf itself is nearly lost in a deep cleft in the rock, and next becomes a horned flood enclosing a woody island--sometimes it reposes for a moment, and then resumes its native character, lively, irregular, and impetuous.

"The cleft mentioned above is the tremendous STRID. This chasm, being incapable of receiving the winter floods, has formed on either side a broad strand of naked gritstone full of rock-basins, or 'pots of the Linn,' which bear witness to the restless impetuosity of so many Northern torrents. But, if here Wharf is lost to the eye, it amply repays another sense by its deep and solemn roar, like the Voice of the angry Spirit of the Waters,' heard far above and beneath, amidst the silence of the surrounding woods.

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