Her waves rolled on, respecting his decree Less than they heed a breath of wanton air. -Then Canute, rising from the invaded throne, Said to his servile Courtiers,-"Poor the reach, The undisguised extent, of mortal sway! He only is a King, and he alone Deserves the name (this truth the billows preach) Whose everlasting laws, sea, earth, and heaven, obey." This just reproof the prosperous Dane Drew, from the influx of the main, For some whose rugged northern mouths would strain At oriental flattery; And Canute (fact more worthy to be known) From that time forth did for his brows disown The ostentatious symbol of a crown; Now hear what one of elder days, When he was driven from coast to coast, Distressed and harassed, but with mind unbroken: "My faithful followers, lo! the tide is spent That rose, and steadily advanced to fill The shores and channels, working Nature's will Among the mazy streams that backward went, And in the sluggish pools where ships are pent: And now, his task performed, the flood stands still, At the green base of many an inland hill, Of Ocean, press right on; or gently wind, 1816. TO DORA The complaint in my eyes which gave occasion to this address to my daughter first showed itsel as a consequence of inflammation, caught at the top of Kirkstone, when I was over-heated by having carried up the ascent my eldest son, a lusty infant. Frequently has the disease recurred since, leaving my eyes in a state which has often prevented my reading for months, and makes me at this day incapable of bearing without injury any strong light by day or night. My acquaintance with books has therefore been far short of my wishes; and on this account, to acknowledge the services daily and hourly done me by my family and friends, this note is written. "A little onward lend thy guiding hand To these dark steps, a little further on!" -What trick of memory to my voice hath brought This mournful iteration? For though Time, The Conqueror, crowns the Conquered, on this brow Planting his favourite silver diadem, Upon a living staff, with borrowed sight. Her temples, fearless for the stately work, Though waves, to every breeze, its higharched roof, And storms the pillars rock. But we such schools Of reverential awe will chiefly seek In the still summer noon, while beams of light, Reposing here, and in the aisles beyond Now also shall the page of classic lore, To these glad eyes from bondage freed, again Lie open; and the book of Holy Writ, Again unfolded, passage clear shall yield To heights more glorious still, and into shades More awful, where, advancing hand in hand, We may be taught, O Darling of my care! ΤΟ ON HER FIRST ASCENT TO THE SUMMIT OF HELVELLYN Written at Rydal Mount. The lady was Miss Blackett, then residing with Mr. Montagu Bur goyne at Fox-Ghyll. We were tempted to remain too long upon the mountain; and I, imprudently, with the hope of shortening the way, led her among the crags and down a steep slope which entangled us in difficulties that were met by her with much spirit and courage. INMATE of a mountain-dwelling, Thou hast clomb aloft, and gazed From the watch-towers of Helvellyn; Awed, delighted, and amazed! Potent was the spell that bound thee For blue Ether's arms, flung round thee, Lo! the dwindled woods and meadows; Lo! the clouds, the solemn shadows, And a record of commotion Maiden! now take flight ;-inherit Alps or Andes-they are thine! With the morning's roseate Spirit, Sweep their length of snowy line; Or survey their bright dominions Thine are all the coral fountains To Niphates' top invited, For the power of hills is on thee, VERNAL ODE Composed at Rydal Mount, to place in view the immortality of succession where immortality is denied, as far as we know, to the individual creature. Rerum Natura tota est nusquam magis quam in minimis.-PLIN. Nat. Hist. I BENEATH the concave of an April sky, When all the fields with freshest green were dight, Appeared, in presence of the spiritual eye That aids or supersedes our grosser sight, The form and rich habiliments of One Whose countenance bore resemblance to the sun, When it reveals, in evening majesty, Features half lost amid their own pure light. Poised like a weary cloud, in middle air He hung, then floated with angelic ease (Softening that bright effulgence by degrees) Till he had reached a summit sharp and bare, Where oft the venturous heifer drinks the noontide breeze. Upon the apex of that lofty cone Of Britain's realm, whose leafy crest Waves high, embellished by a gleaming shower! II Beneath the shadow of his purple wings Rested a golden harp;- he touched the strings; And, after prelude of unearthly sound Poured through the echoing hills around, He sang "No wintry desolations, Scorching blight or noxious dew, Affect my native habitations; Buried in glory, far beyond the scope "What if those bright fires Shine subject to decay, Sons haply of extinguished sires, Themselves to lose their light, or pass away Like clouds before the wind, Be thanks poured out to Him whose hand bestows, Nightly, on human kind That vision of endurance and repose. -And though to every draught of vital breath Renewed throughout the bounds of earth or ocean, The melancholy gates of Death The foliaged head in cloud-like majesty, IV Oh, nursed at happy distance from the cares Of a too-anxious world, mild pastoral Muse That, to the sparkling crown Urania wears, And to her sister Clio's laurel wreath, Prefer'st a garland culled from purple heath, Or blooming thicket moist with morning dews; Was such bright Spectacle vouchsafed to me? And was it granted to the simple ear Such melody to hear! His rather suits it, side by side with thee, To lie and listen-till o'er-drowsed sense Of ages coming, ages gone; Nations from before them sweeping, Regions in destruction steeping,) Bat every awful note in unison With that faint utterance, which tells Of treasure sucked from buds and bells, For the pure keeping of those waxen cells; Where She-a statist prudent to confer Upon the common weal; a warrior bold, Radiant all over with unburnished gold, And armed with living spear for mortal fight; Ere shaken by that mood of stern disdain At which the desert trembles. --Humming Bee! Thy sting was needless then, perchance unknown, The seeds of malice were not sown; All creatures met in peace, from fierceness free, And no pride blended with their dignity. The golden years maintained a course Bright Seraphs mixed familiarly with men; And earth and stars composed a universal heaven! 1817. The discerning reader, who is aware that in the poem of Ellen Irwin I was desirous of throwing the reader at once out of the old ballad, so as, if possible, to preclude a comparison between that mode of dealing with the subject and the mode I meant to adopt-may here perhaps perceive that this poem originated in the four last lines of the first stanza. Those specks of snow, reflected in the lake and so transferred, as it were, to the subaqueous sky, reminded me of the swans which the fancy of the ancient classic poets yoked to the car of Venus. Hence the tenor of the whole first stanza, and the name of Lycoris, which-with some readers who think my theology and classical allusion too far-fetched and therefore more or less unnatural and affected-will tend to unrealise the sentiment that pervades these verses. But surely one who has written so much in verse as I have done may be allowed to retrace his steps in the regions of fancy which delighted him in his boyhood, when he first became acquainted with the Greek and Roman Poets. Before I read Virgil I was so strongly attached to Ovid, whose Metamorphoses I read at school, that I was quite in a passion whenever I found him, in books of criticism, placed below Virgil. As to Homer, I was never weary of travelling over the scenes through which he led me. Classical literature affected me by its own beauty. But the truths of scripture having been entrusted to the dead languages, and these fountains having been recently laid open at the Reformation, an importance and a sanctity were at that period attached to classical literature that extended, as is obvious in Milton's Lycidas, for example, both to its spirit and form in a degree that can never be revived. No doubt the hackneyed and lifeless use into which mythology fell towards the close of the 17th century, and which continued through the 18th, disgusted the general reader with all allusion to it in modern verse; and though, in deference to this disgust, and also in a measure participating in it, I abstained in my earlier writings from all introduction of pagan fable, surely, even in its humble form, it may ally itself with real sentiment, as I can truly affirm it did in the present case. I AN age hath been when Earth was proud To be sustained; and Mortals bowed Who then, if Dian's crescent gleamed, II In youth we love the darksome lawn In luxury of disrespect To our own prodigal excess Thee, thee my life's celestial sign!) Pleased with the harvest hope that runs Pleased when the sullen winds resound the knell Of the resplendent miracle. But something whispers to my heart Of youth into the breast: Still, as we nearer draw to life's dark ged TO THE SAME This as well as the preceding and the two tha follow were composed in front of Rydal M and during my walks in the neighbourb Nine-tenths of my verses have been murmu out in the open air: and here let me repeat w I believe has already appeared in print. On day a stranger having walked round the garm and grounds of Rydal Mount asked one da female servants, who happened to be at the c permission to see her master's study. "Tas said she, leading him forward, "is my master library where he keeps his books, but his study out of doors." After a long absence from han it has more than once happened that some ot my cottage neighbours has said-"Well, there is; we are glad to hear him booing about aga Once more, in excuse for so much egotism, let m say, these notes are written for my familiar frien and at their earnest request. Another tira gentleman whom James had conducted threes the grounds asked him what kind of plants th best there: after a little consideration he answer. -"Laurels." "That is," said the stranger, it should be; don't you know that the laurel the emblem of poetry, and that poets used public occasions to be crowned with it?" Jan: stared when the question was first put, but w doubtless much pleased with the information ENOUGH of climbing toil!-Ambition tread Here, as 'mid busier scenes, ground ste |