Mistress of the House: Women of Property in the Victorian NovelAshgate, 1997 - Всего страниц: 153 This exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Стр. 22
... consciousness seems suddenly more problematic than it is in Jane Eyre . The fact of boundedness becomes especially acute not only because we feel keenly the injunctions upon speech and action which afflict Caroline but because we become ...
... consciousness seems suddenly more problematic than it is in Jane Eyre . The fact of boundedness becomes especially acute not only because we feel keenly the injunctions upon speech and action which afflict Caroline but because we become ...
Стр. 30
... consciousness about the contestable territories of femininity and fiction , then , Shirley is a confrontational novel , directed at the sexual - provincial assumptions that will meet its publication . Yet it is a novel that seems at the ...
... consciousness about the contestable territories of femininity and fiction , then , Shirley is a confrontational novel , directed at the sexual - provincial assumptions that will meet its publication . Yet it is a novel that seems at the ...
Стр. 54
... consciousness ' ( 1984 , p.702 ) , claims that ' Lucy's story is enact- ed through a play of doublings , mirrors , and reversals which never entirely come to rest in the text ' ( p.703 ) .3 Some readings which appeal to the multiplicity ...
... consciousness ' ( 1984 , p.702 ) , claims that ' Lucy's story is enact- ed through a play of doublings , mirrors , and reversals which never entirely come to rest in the text ' ( p.703 ) .3 Some readings which appeal to the multiplicity ...
Содержание
Shirley | 18 |
Cranford and its belongings | 34 |
Villette | 52 |
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Mistress of the House: Women of Property in the Victorian Novel Tim Dolin Ограниченный просмотр - 2016 |
Mistress of the House: Women of Property in the Victorian Novel Tim Dolin Недоступно для просмотра - 2016 |
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action argues authority becomes belongs Brontë called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York
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Women and Their Money 1700-1950: Essays on Women and Finance Anne Laurence,Josephine Maltby,Janette Rutterford Недоступно для просмотра - 2008 |
A Woman's Kingdom: Noblewomen and the Control of Property in Russia, 1700-1861 Michelle Lamarche Marrese Ограниченный просмотр - 2002 |