Dress Art and Society, 1560-1970

abstract angels antique appearance architecture artist Baroque began Bernini bodice body breasts breeches characteristic classical closely clothes coat colour costume court curves décolletage decoration detail display doublet Edvard Munch effect eighteenth century elegance embroidery emphasized England English epicene Europe evident exaggerated expression fabric fantasy fashionable dress female feminine figure formal France French front garment George de Feure gown gradually hair High Renaissance hips hose human ideal Jean lace Lady legs London look male Mannerism Mannerist mantua masculine Michelangelo movement Napoléon Bonaparte natural Neo-classical Neo-classicism Nicholas Hilliard padding painting Parmigianino pattern petticoat petticoat breeches pleated portrait Quentin Bell Renaissance ribbon robe Rococo romantic Romanticism round sculpture seams seems seventeenth century sexes sexual shape shoulder silk sixteenth century skirt sleeves spirit splendour style suggested symbolic Tate Gallery textiles theatrical torso trimming trunk-hose visual waist wear wearer woman women worn