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the shapes and colours of things with it to the eye: so that, though within this visible world there be a more glorious scene of things than what appears to us, we perceive nothing at all of it; for this veil of flesh parts the visible and invisible world: but when we put off these bodies there are new and surprising wonders present themselves to our view; when these material spectacles are taken off, the soul with its own naked eyes sees what was invisible before; and then we are in the other world, when we can see it and converse with it. Thus St. Paul tells us, that when we are at home in the body, we are absent from the Lord; but when we are absent from the body, we are present with the Lord :' 2 Cor. v. 6, 8. And methinks this is enough to cure us of our fondness for these bodies, unless we think it more desirable to be confined to a prison, and to look through a grate all our lives, which gives us but a very narrow prospect, and that none of the best neither, than to be set at liberty to view all the glories of the world. What would we give now for the least glimpse of that invisible world, which the first step we take out of these bodies will present us with? There are such things as eye hath not seen nor ear heard, neither hath it entered into the heart of man to conceive.' Death opens our eyes, enlarges our prospect, presents us with a new and more glorious world, which we can never see while we are shut up in flesh; which should make us as willing to part with this veil, as to take the film off of our eyes, which hinders our sight."

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'As a thinking man cannot but be very much affected with the idea of his appearing in the presence of that Being "whom none can see and live," he must be much more affected when he considers that this Being whom he appears before, will examine all the actions of his past life, and reward or punish

him accordingly. I must confess that I think there is no scheme of religion, besides that of Christianity, which can possibly support the most virtuous person under this thought. Let a man's innocence be what it will, let his virtues rise to the highest pitch of perfection attainable in this life, there will be still in him so many secret sins, so many human frailties, so many offences of ignorance, passion, and prejudice, so many unguarded words and thoughts, and in short, so many defects in his best actions, that, without the advantages, of such an expiation and atonement as Christianity has revealed to us, it is impossible that he should be cleared before his Sovereign Judge, or that he should be able to "stand in his sight." Our holy religion suggests to us the only means whereby our guilt may be taken away, and our imperfect obedience accepted.

"It is this series of thought that I have endeavoured to express in the following hymn, which I have composed during this my sickness.

I.

"WHEN, rising from the bed of death,
O'erwhelm'd with guilt and fear,
I see my Maker, face to face,
O how shall I appear!

II.

"If yet, while pardon may be found,

And mercy may be sought,

My heart with inward horror shrinks,

And trembles at the thought;

III.

"When thou, O Lord, shalt stand disclos'd

In majesty severe,

And sit in judgment on my soul,

O how shall I appear!

IV.

"But thou hast told the troubled mind

Who does her sins lament,

The timely tribute of her tears

Shall endless woe prevent.

V.

"Then see the sorrows of my heart,
Ere yet it be too late;

And hear my Saviour's dying groans,
To give those sorrows weight,

VI.

"For never shall my soul despair
Her pardon to procure,

Who knows thine only Son has died
To make her pardon sure."

There is a noble hymn in French, which Monsieur Bayle has celebrated for a very fine one, and which the famous author of the Art of Speaking, calls an admirable one, that turns upon a thought of the same nature. If I could have done it justice in English, I would have sent it you translated; it was written by Monsieur des Barreux, who had been one of the greatest wits and libertines in France, but in his last years was as remarkable a penitent.

'Grand Dieu, tes jugemens sont remplis d'équitè;
Toujours tu prends plaisir à nous être propice.
Mais j'ai tant fait de mal, que jamais ta bonté
Ne me pardonnera, sans choquer ta justice.
Oui, mon Dieu, la grandeur de mon impieté
Ne laisse ton à pouvoir que le choix du supplice:
Ton intérêt s'oppose à ma félicité :

Et ta clémence même attend que je périsse.
Contente ton désir, puis qu'il l'est glorieux ;
Offense toi des pleurs qui coulent de mes yeux;

Tonne, frappe, il est tems, rens moi guerre pour guerre;
J'adore en périssant la raison qui t'aigrit.

Mais dessus quel endroit tombera ton tonnère,
Qui ne soit tout couvert du sang de Jesus Christ."

'If these thoughts may be serviceable to you, I desire you would place them in a proper light, and am ever, with great sincerity,

0.

'Sir, yours, &c.'

N° 514. MONDAY, OCTOBER 20, 1712.

Me Parnassi deserta per ardua dulcis
Raptat amor: juvat ire jugis, quà nulla priorum
Castalium molli divertitur orbita clivo.

VIRG. Georg. iii. 291.

But the commanding Muse my chariot guides,
Which o'er the dubious cliff securely rides :
And pleas'd I am no beaten road to take,

But first the way to new discov'ries make.
DRYDEN.

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MR. SPECTATOR,

"I CAME home a little later than usual the other night; and, not finding myself inclined to sleep, I took up Virgil to divert me until I should be more disposed to rest. He is the author whom I always choose on such occasions; no one writing in so divine, so harmonious, nor so equal a strain, which leaves the mind composed and softened into an agreeable melancholy; the temper, in which, of all others, I choose to close the day. The passages I turned to, were those beautiful raptures in his Georgics, where he professes himself entirely given up to the Muses, and smit with the love of poetry, passionately wishing to be transported to the cool shades and retirements of the mountain Hamus. I closed the book and went to bed. What I had just before been reading made so strong an impression on my mind, that fancy seemed almost to fulfil to me the wish of Virgil, in presenting to me the following vision.

Methought I was on a sudden placed in the plains of Boeotia, where at the end of the horizon I saw the mountain Parnassus rising before me. The prospect was of so large an extent, that I had long wandered about to find a path which should directly

lead me to it, had I not seen at some distance a grove of trees, which, in a plain that had nothing else remarkable enough in it to fix my sight, immediately determined me to go thither. When I arrived at it, I found it parted out into a great number of walks and alleys, which often widened into beautiful openings, as circles, or ovals, set round with yews and cypresses, with niches, grottos, and caves, placed on the sides, encompassed with ivy. There was no sound to be heard in the whole place, but only that of a gentle breeze passing over the leaves of the forest; every thing beside was buried in a profound silence. I was captivated with the beauty and retirement of the place, and never so much, before that hour, was pleased with the enjoyment of myself. I indulged the humour, and suffered myself to wander without choice or design. At length, at the end of a range of trees, I saw three figures seated on a bank of moss, with a silent brook creeping at their feet. I adored them as the tutelary divinities of the place, and stood still to take a particular view of each of them. The middlemost, whose name was Solitude, sat with her arms across each other, and seemed rather pensive, and wholly taken up with her own thoughts, than any ways grieved or displeased. The only companions which she admitted into that retirement, were, the goddess Silence, who sat on her right hand with her finger on her mouth, and on her left Contemplation, with her eyes fixed upon the heavens. Before her lay a celestial globe, with several schemes of mathematical theorems She prevented my speech with the greatest affability in the world. "Fear not," said she, "I know your request before you speak of it; you would be led to the mountain of the Muses; the only way to it lies through this place, and no one is so often employed in conducting persons thither as myself." When she had thus

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