Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - Всего страниц: 252 This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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... poetry . But their ap- proaches differ in emphasis . For Eliot what makes a work poetic is what in turn makes it dramatically effective , but for Bradbrook what makes it poetic is provided by that which is dramatically effective . Eliot ...
... poetry . But their ap- proaches differ in emphasis . For Eliot what makes a work poetic is what in turn makes it dramatically effective , but for Bradbrook what makes it poetic is provided by that which is dramatically effective . Eliot ...
Стр. 102
... Poets , who lived about the time of Shakespeare ( 1808 ) and Extracts from the Gar- rick Plays ( 1827 ) . The Specimens was a collection of extracts of out- standing poetry from Elizabethan and Jacobean poetic drama . These selections ...
... Poets , who lived about the time of Shakespeare ( 1808 ) and Extracts from the Gar- rick Plays ( 1827 ) . The Specimens was a collection of extracts of out- standing poetry from Elizabethan and Jacobean poetic drama . These selections ...
Стр. 118
... poetry while neglecting their function on the stage . It is for this reason that all modern opinion of the Elizabethans seems to spring from Lamb , for all modern opinion rests upon the admission that poetry and drama are two separate ...
... poetry while neglecting their function on the stage . It is for this reason that all modern opinion of the Elizabethans seems to spring from Lamb , for all modern opinion rests upon the admission that poetry and drama are two separate ...
Содержание
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
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action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
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Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Недоступно для просмотра - 2010 |