Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - Всего страниц: 252 This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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... performance : the subtlety and strength of his language is properly experienced only through read- ing in order to ... performance for an audience . The Romantics ' antipathy to performance originates in the premise that Shakespeare's ...
... performance : the subtlety and strength of his language is properly experienced only through read- ing in order to ... performance for an audience . The Romantics ' antipathy to performance originates in the premise that Shakespeare's ...
Стр. 43
... performance - based texts were widely available for the theatergoing public . Stage managers and actors did not work directly from scholarly editions . The stage presentation of Shakespeare was regularly accompanied by the issue of an ...
... performance - based texts were widely available for the theatergoing public . Stage managers and actors did not work directly from scholarly editions . The stage presentation of Shakespeare was regularly accompanied by the issue of an ...
Стр. 242
... performance of gender in Shakespeare's England . Cambridge : Cambridge University Press , 1996 . Osborne , Laurie E. “ Rethinking the Performance Editions : Theatrical and textual productions of Shakespeare . " In Shakespeare , Theory ...
... performance of gender in Shakespeare's England . Cambridge : Cambridge University Press , 1996 . Osborne , Laurie E. “ Rethinking the Performance Editions : Theatrical and textual productions of Shakespeare . " In Shakespeare , Theory ...
Содержание
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
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Часто встречающиеся слова и выражения
action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
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Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Недоступно для просмотра - 2010 |