Shakespeare's Mythological InventionUniversity of Wisconsin--Madison, 1959 - Всего страниц: 582 |
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Стр. 50
... audience , serve as a built - in commentary on Iago's sophistic " game . " The garments the imagery and language -- those of virtue , but the voice is his of the cloven hoof . -- are The speech out of context , with the first two words ...
... audience , serve as a built - in commentary on Iago's sophistic " game . " The garments the imagery and language -- those of virtue , but the voice is his of the cloven hoof . -- are The speech out of context , with the first two words ...
Стр. 201
... audience . These images may be singled out as " supporting , " " reinforcing , " or " descriptively under- lining " the emotional tone of the story . For this is their actual effect , whether the audience notices it or not . But the ...
... audience . These images may be singled out as " supporting , " " reinforcing , " or " descriptively under- lining " the emotional tone of the story . For this is their actual effect , whether the audience notices it or not . But the ...
Стр. 204
... audience is able to formulate , to explain why the play is a harmonious blending . But these many points of convergence on the imaginary and the real do seem to support a kind of analogous at - oneness , whether or not an audience ...
... audience is able to formulate , to explain why the play is a harmonious blending . But these many points of convergence on the imaginary and the real do seem to support a kind of analogous at - oneness , whether or not an audience ...
Содержание
of Source | 12 |
The Notion of Composition in Renaissance Rhetori | 18 |
a icon | 22 |
Авторские права | |
Не показаны другие разделы: 20
Часто встречающиеся слова и выражения
allusion Aphthonius appear audience authors Baldwin becomes bookish borrowed chapter character Cicero's classical myth classical mythology common commonplace comparison Criticism directions discussion dream edition elements Elizabethan eloquence emotions English Erasmus example explain expression eyes father figures garden give given grammar school Henry Hercules historical icon illustration imagery imaginative invention kind King knowledge known Latin learned legend lessons lines London materials matter meaning medieval mind moral moving mythological mythological imagery nature notes oration Orpheus Ovid Ovid's passage passion play poets praise precise present Press probably Professor quoted reason recalling refer Renaissance rhetoric scene seems Shake Shakespeare speak speech stage student style suggest theme theory thing topics traditions translation turn understanding University values Virgil virtue writing York