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" They then urged their request with the offer of a bribe ; but what I would not do for kindness, I wonld not do for money, and refused them; not because they had injured me, but because I would not enable them to injure others; for I knew they would have made use of my credit to cheat those who should buy their wares.

Having resided at Agra till there was no more to be learned, I travelled into Persia, where I saw many remains of ancient magnificence, and observed many new accommodations of life. The Persians are a nation eminently social, and their assemblies afforded me daily opportunities of remarking characters and man. ners, and of tracing human nature through all its varia. tions.

From Persia I passed into Arabia, where I saw a nation pastoral and warlike; who lived without any settled habitation; whose wealth is their flocks and

and who have carried on, through ages, an hereditary war with mankind, though they neither covet por envy their possessions.”



Imlac's History continued. A Dissertation upon Poetry. “WHEREVER I went, I found that poetry was considered as the highest learning, and regarded with a ve

neration somewhat approaching to that which man would pay to angelic nature. And yet it fills me with 'wonder, that, in almost all countries, the most ancient poets are considered as the best : whether it be that every other kind of knowledge is an acquisition gradually attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent which it received by accident at first; or whether, as the pro.vince of poetry is to describe nature and passion, which are always the same, the first writers took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed them, but transcription of the same events, and new combinations of the same images. Whatever be the reason, it is commonly observed that the early writers are in possession of nature, and their followers of art : that the first excel in strength and in.vention, and the latter in elegance and refinement.

“ I was desirous to add my name to this illustrious fraternity. I read all the poets of Persia' and Arabia, and was able to repeat by memory the volumes that are suspended in the mosque of Mecca. But I soon found that no man was ever great by imitation. My desire of excellence impelled me to transfer my attention to nature and to life. Nature was to he my subject, and men to be my auditors; I could never describe what I had not seen: I could not hope to move those with delight or terror, whose interests and opinions I did not understand.


“ Being now resolved to be a poet, I saw every thing with a new purpose; my sphere of attention was suddenly magnified : no kind of knowledge was to be overlooked. I ranged mountains and deserts for images and resemblances, and pictured upon my mind every tree of the forest and flower of the valley. I observed with equal care the crags of the rock and the pinnacles of the palace. Sometimes I wandered along the mazes of the rivulet, and sometimes watched the changes of the summer clouds.-To a poet nothing can be useless. Whatever is beautiful, and whatever is dreadful, must be familiar to his imagination : he must be conversant with all that is awfully vast or elegantly little. The plants of the garden, the animals of the wood, the mi. nerals of the earth, and meteors of the sky, must all concur to store his mind with inexhaustible variety ; for every idea is useful for the enforcement or decoration of moral or religious truth; and he who knows most, will have most power of diversifying his scenes, and of gratifying his reader with remote allusions, and unexpected instruction.

“ All the appearances of nature I was therefore careful to study, and every country which I have surveyed has contributed something to my poetical powers.”

“ In so'wide a survey," said the prince, "you must surely have left much' unobserved. I have lived till now within the circuit of the mountains, and yet cannot walk abroad without the sight of something which I had never beheld before, or never heeded.”

“ The business of a poet,” said Imlac, “is to examine, not the individual, but the species ; to remark

general properties and large appearances ; he does not number the streaks of the tulip, or describe the diffei rent shades of the verdure of the forest. He is to exhibit in his portraits of nature such prominent and striking features, as recal the original to every mind; and must neglect the minuter discriminations, which one may have remarked, and another have neglected, for those characteristics which are alike obvious to vigilance and carelessness.

“ But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery of every condition ; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude. He must divest himself of the prejudices of his age and country; he must consider right and wrong in their abstracted and invariable state : he must disregard present laws and opinions, and rise to general and transcendental truths, which will always be the same : he must therefore content himself with the slow progress of his name; contemn the praise of his own time, and commit his claims to the justice of posterity. He must write as the interpreter of nature, and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations; ás a being superior to time and place.

“ His labour is not yet at an end: he must know many languages and many sciences; and, that his style may be worthy of his thoughts, must, by incessant practice, familiarize to himself every delicacy of speech and grace of harmony."


Imlac's Narrative continued. A Hint on Pilgrimage.

IMLAC now felt the enthusiastic fit, and was proceeding to aggrandize his own profession, when the prince cried out, “ Enongh! thou hast convinced me that no human being can ever be a poet. Proceed with thy Darration."

To be a poet,” said Imlac, “ is indeed very difficult.”—“So difficult," returned the prince," that I will at present hear no more of his labours. Tell me · whither you went when you had seen Persia.”

“ From Persia," said the poet, “I travelled throngh Syria, and for three years resided in Palestine, where I conyersed with great numbers of the northern and western nations of Europe ; the nations which are now in possession of all power and all knowledge; whose armies are irresistible, and whose fleets command the remotest parts of the globe. When I compared these men with the natives of our own kingdom, and those

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