Lit from Truth's altar; but the false and mean Transfix'd with rays like bayonets, cower'd and curs'd. And England bankrupt for the difference! Sleep, thou war-shatter'd frame! Brave spirit, rise W. ALLINGHAM. [This cave, now tenantless and overgrown, its doorway draperied with wild roses, is situated in an almost inaccessible part of the steep wood of Kilcara, which, with its beautiful indigenous trees, overhangs the river Feale, not far from Abbeyfeale, in the county Kerry. The story of Dominick, so wild and deeply suggestive, was related in this wood to the author some years ago.] The cuckoo speaketh* loud and clear in sweet Kilcara wood, The robin flitteth here and there with gladsome holy note, Far out the hills lie silent, as if lost in dreams unknown, Oh, Feale! how surely, earnestly, she seeks the unseen deep, How bright the living waters flow among the dream-lock'd hills! Rough is that way o'er which they stray, heaven-lit in crystal gladness, Oh, deeply sink those waters pure beneath Kilcara wood! This word, so peculiarly expressive of the cuckoo's note, the author has from the poor about Kilcara; only they would call it spakes." 66 This word comes from the same source as the above—being the Irish name for the little bird that follows the cuckoo. Such were his only visitors, thus did they come and go, But of their speech with him so lone, I cannot guess nor know; Yet while the meek flowers with mild glee looked up into his face, He had seen the rich men travelling past in greatness and in pride, They have sought him long and wearily the Kerry woods amid; How carelessly sits Dominick beneath the evening red, Alone he sits, but never a thought of care or fear will have He trusteth to the steep rough wood and to his hidden cave; He sits in sun and cleans from blood both sword and dagger bright, There as he sits, a stealthy eye and foot the woodpaths find. Fast o'er the wild flowers-fast, oh! fast-the noble heart flows forth: It gushes out, and sinks, sinks down fast in the drinking earth, A noble heart? Yes, yes, though rough and ruined in its mould, And still in sweet Kilcara wood is Dominick's lonely cave, And when earth groweth full of flowers, God hangeth in the sight, They spring from clay, and every spray windeth in earthly bands, But hark! the cuckoo speaks again, and wakes me with clear tone, Glad, homeless dove, that cannot find rest for thy joyful foot, Rejoicing bird, thy prophet voice hath won my heart within, That is the dream that stills those hills-the smile upon that wave, IV. THE FALSE ONE. The summer stars were burning on the sea, My happiness had made my manhood weak- Thy kisses fell like showers on my brow; The rain is weeping on the homeless hills; With longings wild and sorrowful!—Oh, vain Oh, give me rest, the stars above have rest ; Fierce as a tempest battling in a glen ; So fierce so cold are all my thoughts within. False-false-my heart is whirling blind and strong, V. SPARTACUS. Above me rose the arches of the Hall Before me stood a bronze. In clear relief Rose that bold figure in the gaze of all; Each muscle braced with might that could not sleep. The head thrown back, and full of ire and life; The frame instinct, and burning for the strife; The strength of those proud hands; the hatred deep, Seated like thunders on thy Roman brow, And the wild forward glance that haunts my spirit now. J. S. But that foul thing-what is it that I see? A chain! Oh, deep, unutterable wrong! Never! Those links are rent!—and hark, a song A lay of freedom! See'st thou not, oh man! That smile triumphal and that gathering scorn; Arise and prophesy, 'till freedom's morn Break beautiful upon the mountain height, Go, And earth's warm bosom burst in flowers to hail its light! A lay of freedom! Oh, ye slaves that now Cramp the broad mind to fashion, form, and rite, Sweep an unfettered hand across your brow; Rise like a falcon to the living light; Free the undying thought from licensed lies, And whirling error to its native night, Brimming with freedom, through a golden land "These flowers of memory we bring, That by thy footfall, child of God! Heaven's own Forget-me-not' may spring, To tell where angel-footsteps trod." The Seraphim the new-born's cot Then strewed with flowers of azure pale; And whispering, "Forget me not," Each sped some younger life to hail. Fair, fair the infant seraph grew, So gentle, so benign, so true She was not meant on earth to stay. She past us on her pilgrimage, In her young hand sweet flowers she bore; Ah! never childhood, youth, or age, Forgot the smile that seraph wore. And as she went she scattered round Those azure flowers upon the sod; Where'er her gentle footsteps trod. Fondly we prayed her yet to stay Awhile, earth's fullest joys to share; But she would upward look, and say, "Come thou with me-my home is there.” Thus, sweetly smiling to the last, A denizen of worlds to come, Scatt'ring bright flowers, the pilgrim past Where bends the emerald arch of In radiant iris-hues of glory; Where the redeemed never cease peace, The praise of Hallelujah! Holy! Where the pellucid, crystal sea Reflects the loved ones of the world; And floats the flood of memory, The seraph stands with wings unfurled. She watches for the holy hour When sleep enchains the thoughts of sin; And mortal vision hath no power To mar the spotless seraphim. Then from that sea and iris' dyes, Gathering more flowers and brighter beams, The seraph angel hither flies, To bless her loved ones in their dreams. Through leafy trees the mourner's eye Still sees, at dawn, from yonder sod, That blue Forget-me-nots on high, Mark where her angel-footsteps trod. MARA. |