Essays on Song-writing: With a Collection of Such English Songs as are Most Eminent for Poetical Merit |
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Стр. 56
Too well the love - lorn maiden knew The folemn - boding found , And thus in
dying words bespoke The maidens weeping round , I hear a voice you cannot
hear , Which says į must not stay ; I see a hand you cannot see , Which beckons
me ...
Too well the love - lorn maiden knew The folemn - boding found , And thus in
dying words bespoke The maidens weeping round , I hear a voice you cannot
hear , Which says į must not stay ; I see a hand you cannot see , Which beckons
me ...
Стр. 60
Awake , she cried , thy true love calls Come from her midnight grave ; Now let thy
pity hear the maid Thy love refufed to save , This is the mirk and fearful hour
When injur'd ghosts complain ; Now dreary graves give up their dead To haunt
the ...
Awake , she cried , thy true love calls Come from her midnight grave ; Now let thy
pity hear the maid Thy love refufed to save , This is the mirk and fearful hour
When injur'd ghosts complain ; Now dreary graves give up their dead To haunt
the ...
Стр. 65
So the sweet lark high pois'd in air Shuts close his pinions to his breaft , If chance
his mate's shrill call he hear , And drops at once into her neft . The noblest
captain in the British fleet Might envy WILLIAM's lips those kisses sweet . O
SUSAN ...
So the sweet lark high pois'd in air Shuts close his pinions to his breaft , If chance
his mate's shrill call he hear , And drops at once into her neft . The noblest
captain in the British fleet Might envy WILLIAM's lips those kisses sweet . O
SUSAN ...
Стр. 67
With a Collection of Such English Songs as are Most Eminent for Poetical Merit
John Aikin. Why ring the woods with warbling throats ? Ye larks , ye linnets ,
cease your strains ; I faintly hear in your sweet notes , My Chloe's voice that
wakes my ...
With a Collection of Such English Songs as are Most Eminent for Poetical Merit
John Aikin. Why ring the woods with warbling throats ? Ye larks , ye linnets ,
cease your strains ; I faintly hear in your sweet notes , My Chloe's voice that
wakes my ...
Стр. 68
Tis true , ' thy tuneful reed I blam'd , That swell'd thy lip and rosy cheek ; Think not
thy skill in song defam'd , That lip Mould other pleasures seek : Much , much thy
music I approve ; Yet break thy pipe , for more I love , Much more to hear thee ...
Tis true , ' thy tuneful reed I blam'd , That swell'd thy lip and rosy cheek ; Think not
thy skill in song defam'd , That lip Mould other pleasures seek : Much , much thy
music I approve ; Yet break thy pipe , for more I love , Much more to hear thee ...
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appear arms beauty breaſt Celia charms cheek cruel dear death delight deſpair epigram eyes face fair fall falſe fancy fate fear feel figh firſt fond gentle give grace hand happy hear heart heaven hope hour idea kind language laſt late leave lips live looks loſe lover maid meet mind morning moſt move muſic muſt nature ne'er never night nymph o'er object once pain paſſion paſtoral PHYLLIS pieces pity plain pleaſing pleaſure poetical poetry pride prove reſt ſay ſee ſhade ſhall ſhe ſhepherd ſhould ſmiles ſoft ſome ſong ſounds ſpeak ſtill ſubject ſuch ſwain ſweet taſte tears tell tender thee theſe thoſe thou thought thro true turn Twas vain vows weep whoſe wind wiſh young youth